"G.I. JOE: RISE OF THE COBRA" (2009) Review

”G.I. JOE: THE RISE OF COBRA” (2009) Review

Ten years ago, I saw a movie that was based upon a popular toy franchise for the third time in my life. This movie turned out to be ”G.I. JOE: THE RISE OF COBRA”. And if I must be honest, I ended up seeing the movie under confusing circumstances.

I never had any intentions of seeing ”G.I. JOE: RISE OF THE COBRA” when it was first released in theaters. Let me make this perfectly clear. After the mindless action of the first two ”TRANSFORMERS” movies, I had vowed never to watch another action movie based upon a popular toy. In fact, I had intended to see the new comedy at the time, ”JULIE AND JULIA”. My family and I ended up watching ”G.I. JOE”, because I thought a relative of mine wanted to see it. As it turned out, my relative thought ”I” wanted to see the movie. Which goes to show how dangerous the lack of communications can be. We ended up watching a movie that neither of us had intended to see.

Stephen Sommers, the creator of ”THE MUMMY” franchise and director of the first two movies, directed this tale about the G.I. Joe Team, a covert unit of international special forces commandos, under the command of a U.S. Army general named Hawk (Dennis Quaid). Original, huh? Following an attempt by terrorists to steal nanotechnology-based warheads, two regular Army commandos, Conrad “Duke” Hauser and Wallace “Ripcord” Weems, join the “Joes” in an effort to prevent the warheads from falling into the hands of terrorists. During Duke and Ripcord’s training at the G.I. Joe’s command center in North Africa, two terrorists named the Baroneess and Storm Shadow attack the base. And in the process, manage to wound General Hawk and steal the warheads. The Team eventually learn that the warheads’ creator and owner of an arms manufacturing company called MARS, James McCullen, was responsible for the attack and wanted the warheads back for his own nefarious means.

What can I say about ”G.I. JOE: THE RISE OF COBRA”? It was simply your typical summer action blockbuster based upon a popular franchise. And like many of these action films, it was filled with the usual action, explosions, violence, silly one-liners and special effects. Nothing special. Nothing original. It also featured an underwater battle between the “G.I. Joe” Team and McCullen’s troops. I read somewhere that Sommers wanted to pay homage to the 1965 James Bond movie, ”THUNDERBALL”. Well, he certainly succeeded as far as I am concerned. Sommer’s underwater battle in ”G.I. JOE: RISE OF THE COBRA” seemed just as boring as the one featured in ”THUNDERBALL”.

However, ”G.I. JOE” turned out to be surprisingly better than I had expected. In fact, the movie possessed enough attributes for me to enjoy it. You heard right. I actually managed to enjoy ”G.I. JOE”. Despite the usual action nonsense, the movie turned out to rather enjoyable. More importantly, screenwriters Stuart Beattie, David Elliot and Paul Lovett included several twists in both the plot and some of the characterizations that took me by surprise. And ”G.I. JOE” did not strike me as the type of movie that could generate that kind of surprise. Another aspect of the movie that allowed it rise above the likes of the ”TRANSFORMER” movies, were its exploration of background stories of characters like Duke, the Baroness, McCullen, the Baroness’ brother Rex Lewis and the two former rivals, Storm Shadow and one of the “Joes”. The movie also featured a surprisingly effective action sequence set in Paris – a sequence that ended with some noteworthy special effects produced under the supervision of Christian Roberton and shot wonderfully by cinematographer Mitchell Amundsen.

Another aspect of ”G.I. JOE” that impressed me was its cast. Aside from one particular actor, the actors and actresses struck me as surprisingly impressive. Channing Tatum led the cast as Duke, the Army Special Forces officer who decides to join the “G.I. Joe Team” in order to continue his assignment regarding the nanoprobe warheads. Duke is also haunted by a past tragedy that involved his former girlfriend, Ana Lewis aka the Baroness and her brother, Rex. In the decade since this movie's release, Tatum has managed to become a major and talented Hollywood star. But I have to be honest. He did not exactly appeal to me as a screen presence when I first saw "G.I. JOE". But I thought he gave a very solid and competent performance in this film. Portraying Duke’s best friend was comic actor, writer and producer Marlon Wayans. He portrayed Ripcord, another Special Forces soldier who decides to follow Duke in joining the “Joes”. Ripcord also harbored a desire to be acknowledged as a top military pilot and he fell in love with another member of the “G.I. Joe Team”. As expected, Wayans provided a great deal of laughter in a role that could easily be labeled as comic relief. Only in this movie, Ripcord had a well written romance and managed to save two major capital cities in the movie’s finale. Wayans not only handled the comedy with great ease, he also did a solid job in his romantic and action scenes.

The supporting cast was filled with first-rate actors and actresses that provided solid performances. I especially enjoyed Sienna Miller as Duke’s conflicted ex-girlfriend, Ana Lewis. Family tragedy led her to join McCullen’s villainous team and change her name to the Baroness. It seemed quite obvious that Miller was enjoying herself in the role. Rachel Nichols gave an interesting performance as the brainy and uptight Scarlett, who learned to open up her heart to Ripcord’s humor and warmth. Also, she and Wayans provided great screen chemistry. And it was great seeing Adewale Akinuoye-Agbale for at the time, I had not seen him in a period of three years, since early Season Three of ABC's ”LOST”. In this movie, Akinuoye-Agbale was his usual commanding self as Hershel “Heavy Duty” Dalton, the team’s ordinance expert who acted as field commander of the “Joes”. I also enjoyed Said Taghmaoni as Abel “Breaker” Shaz, the Moroccan hacker and communications expert that harbored a fondness for bubble gum. I especially enjoyed his performance in a scene that featured his character’s dismay at being banned from French soil, following the Eiffel Tower debacle. I have to give kudos to Lee Byung-hun for giving a convincingly complex performance as the villainous Storm Shadow. Young actor Brandon Soo-Hoo (from 2008's "TROPIC THUNDER") was equally intense as the character's younger self. Christopher Eccleston was pretty solid as the main villain, James McCullen. Jonathan Pryce was equally solid as the President of the United States. Kevin J. O'Connor gave an interesting and slightly bizarre performance as Doctor Mindbender, the creator of nanomite technology. And Joseph Gordon-Levitt was a hoot as Ana’s slightly neurotic brother, Rex Lewis. I could say the same about Arnold Vasloo's colorful performance as the murderous, yet colorful Zartan. Brendan Fraser provided a brief, yet entertaining cameo as the Joes' trainer.

There was one performance that failed to impress me. And it belonged to Dennis Quaid as General Hawk, leader of the “G.I. Joe Team”. Now, I have been a fan of Quaid for years. Out of all the performances in the movie, his was the only one that turned me off. How can I put this? Quaid’s General Hawk sounded and behaved like an authority figure – whether it be a police officer, politician or military officer – from a 1950s or 60s “B” movie. You know – he spouted the usual flag-waving crap in an exaggerated manner that came off as stiff. I only thank God that his role was small.

Before I saw ”G.I. JOE”, I had suspected that it would become  another ”TRANSFORMERS” or ”TRANSFORMERS 2”. Unlike the movies from that particular franchise, I did not have to turn off my brain to enjoy the film. And that surprised me, despite the movie’s flaws. Also, Stephen Sommers did a pretty good job in directing both the cast and crew in order to create a surprisingly entertaining movie. He also had the good luck to work from a solid script that provided a few good twists and surprises. ”G.I. JOE: THE RISE OF COBRA” is not a cinematic masterpiece, an action masterpiece or exercise in intellectual introspection. But it must have did something right. I enjoyed the film and it was a hit big enough to lead to a sequel some four years later.   And If you want a movie that you might be able to enjoy with kids . . . or even a few friends, then I would recommend it.

“THE HATEFUL EIGHT” (2015) Review

“THE HATEFUL EIGHT” (2015) Review

Following the success of his 2012 movie, “DJANGO UNCHAINED”, Quentin Tarantino set about creating another movie with a Western theme that also reflected today’s themes and social relationships in the United States. However, due to circumstances beyond his control, Tarantino nearly rejected the project. And if he had, audiences would have never seen what came to be … “THE HATEFUL EIGHT”. 

The circumstances that nearly led Tarantino to give up the project occurred when someone gained access to his script and published it online in early 2014. The producer-director had considered publishing the story as a novel, until he directed a reading of the story the United Artists Theater in the Ace Hotel Los Angeles. The event was organized by the Film Independent at Los Angeles County Museum of Art (LACMA) as part of the Live Read series. The success of the event eventually convinced Tarantino to shoot the movie.

“THE HATEFUL EIGHT” is at its heart, a mystery. I would not describe it as a murder-mystery, but more like … well, let me begin. The story begins in the post-Civil War Wyoming Territory where a stagecoach rushing to get ahead of an oncoming blizzard, is conveying bounty hunter John Ruth aka “The Hangman” and his handcuffed prisoner, a female outlaw named Daisy Domergue. The stagecoach is bound for the town of Red Rock, where Daisy is scheduled to be hanged. During the journey, an African-American bounty hunter named Major Marquis Warren, who is transporting three dead bounties to the town of Red Rock, hitches a ride on the stagecoach. His horse had died on him. Several hours later, the stagecoach picks up another passenger, a former Confederate militiaman named Chris Mannix, who claims to be traveling to Red Rock in order to become the town’s new sheriff. The stagecoach passengers are forced to seek refuge at a stage station called Minnie’s Haberdashery, when the blizzard finally strikes. The new arrivals are greeted by a Mexican handyman named Bob, who informs them that Minnie is visiting a relative and has left him in charge. The other lodgers are a British-born professional hangman Oswaldo Mobray; a quiet cowboy named Joe Gage, who is traveling to visit his mother; and Sanford Smithers, a former Confederate general. Forever paranoid, Ruth disarms all but Warren, with whom he had bonded during stagecoach journey. When Warren has a violent confrontation with Smithers, Daisy spots someone slip poison into a pot of coffee, brewing on the stove. Someone she recognizes as a fellow outlaw, who is there to spring her free from Ruth’s custody. And there is where the mystery lies - the identity of Daisy’s fellow outlaw.

“THE HATEFUL EIGHT” marks the sixth Quentin Tarantino movie I have ever seen. I also found it the most unusual. But it is not my favorite. In fact, I would not even consider it among my top three favorites. And here is the reason why. “THE HATEFUL EIGHT” struck me as being too damn long with a running time of two hours and forty-seven minutes. I realize that most of Tarantino films usually have a running time that stretches past two hours. But we are talking of a film that is basically a character study/mystery. Even worse, most of the film is set at a stagecoach station - a one-story building with one big room. Not even Tarantino’s attempt to stretch out the stage journey at the beginning of the film could overcome this limited setting. And due to the limited setting and film’s genre, “THE HATEFUL EIGHT” is probably the least epic film in his career, aside from his first one, 1993’s “RESERVOIR DOGS”. At least that film did not stretch into a ridiculously long 167 minute running time.

I also thought Tarantino made too much of a big deal in the confrontation between Major Marquis Warren and General Sanford Smithers. Apparently, Warren had a grudge against Smithers for executing black troops at the Battle of Baton Rouge. I find this improbable, due to the fact that there were no black troops fighting for the Union during that battle, which was a Union victory. There were no black Union or Confederate troops known to have taken part in that particular battle. Tarantino should have taken the time to study his Civil War history. But what really annoyed me about the Warren-Smithers confrontation was that Tarantino thought it was necessary to include a flashback showing Warren’s encounter with Smither’s son, which resulted in the latter’s death. I realize that the Warren-Smithers encounter allowed Daisy’s mysterious colleague to poison the coffee. But a flashback on Warren and Smithers Jr.? Unnecessary. I also found Tarantino’s narration in the film somewhat unnecessary. Frankly, he is not a very good narrator. And I found one particular piece of narration rather unnecessary - namely the scene in which Daisy witnessed the coffee being poisoned. Tarantino could have shown this on screen without any voice overs.

Despite these flaws, I must admit that I still managed to enjoy “THE HATEFUL EIGHT”. It featured some outstanding characterizations and dialogue. And it seemed the cast really took advantage of these well-written aspects of the script. I am not surprised that the film had received numerous nominations for Best Ensemble. Although the running time for “THE HATEFUL EIGHT”might be longer than it should, I have to give Tarantino kudos for his well-structured screenplay. He took his time in setting up the narrative, the mystery and his characters. And although he may have overdone it a bit by taking his time in reaching the film’s denouement, Tarantino delivered quite a payoff that really took me by surprise, once he reached that point. Unlike many movie directors today, Tarantino is a firm believer in taking his time to tell his story. My only regret is that he took too much time for a story that required a shorter running time.

But what I really liked about “THE HATEFUL EIGHT” is that it proved to be a new direction for Tarantino. In this age filled with lack of originality in the arts, it was refreshing to see there are artists out there who are still capable of being original. After viewing the movie at the theater, it occurred to me that is was basically an Agatha Christie tale set in the Old West. Tarantino utilized many aspects from various Christie novels. But the movie resembled one movie in particular. Only I will not say what that novel is, for it would allow anyone to easily guess what happens in the end. Although many of Christie’s novels and Tarantino’s movies feature a good deal of violence, “THE HATEFUL EIGHT” featured very little violence throughout most of its narrative … until the last quarter of the film. Once the Major Warren-General Smithers confrontation took place, all bets were off.

I wish I could comment on the movie’s production values. But if I must be honest, I did not find it particularly memorable. Well, there were one or two aspects of the movie’s production that impressed me. I really enjoyed Robert Richardson’s photography of Colorado, which served as Wyoming Territory for this film. I found it sharp and colorful. I also enjoyed Yohei Taneda’s production designs for the movie … especially for the Minnie’s Haberdashery setting. I though Taneda, along with art directors Benjamin Edelberg and Richard L. Johnson, did a great job of conveying the Old West in that one setting.

Naturally, I cannot discuss “THE HATEFUL EIGHT” without mentioning the cast. What can I say? They were outstanding. And Tarantino did an outstanding job directing them. As far as I know, “THE HATEFUL EIGHT” marked the first time at least three members of the cast have worked with Tarantino - Jennifer Jason-Leigh, Channing Tatum and Demián Bichir. Otherwise, everyone else seemed to be veterans of a Tarantino production, especially Samuel L. Jackson. “THE HATEFUL EIGHT” marked his sixth collaboration with the director. It is a pity that he was not recognized for his portrayal of bounty hunter, Major Marquis Warren. As usual, he did an outstanding job of portraying a very complex character, who not only proved to be a ruthless law enforcer, but also a somewhat cruel man as shown in his confrontation with General Smithers. Actually, most of the other characters proved to be equally ruthless. Kurt Russell’s portrayal of bounty hunter John Ruth struck me as equally impressive. The actor did an excellent job in conveying Ruth’s ruthlessness, his sense of justice and especially his paranoia. Walton Goggin’s portrayal of ex-Confederate-turned-future lawman seemed like a far cry from his laconic villain from “DJANGO UNCHAINED”. Oddly enough, his character did not strike me as ruthless as some of the other characters and probably a little more friendly - except toward Warren. Jennifer Jason-Leigh has been earning acting nominations - including Golden Globe and Academy Award Best Supporting Actress nods - for her portrayal of the captured fugitive Daisy Domergue. Those nominations are well deserved, for Jason-Leigh did an outstanding job of bringing an unusual character to life. Ironically, the character spent most of the movie as a battered prisoner of Russell’s John Ruth. Yet, thanks to Jason-Leigh, she never lets audiences forget how ornery and dangerous she can be.

Tim Roth, who had not been in a Tarantino production since 1995’s “FOUR ROOMS”, gave probably the most jovial performance as the very sociable English-born professional hangman, Oswaldo Mobray. Bruce Dern, who was last seen in“DJANGO UNCHAINED”, had a bigger role in this film as the unsociable ex-Confederate General Sanford Smithers, who seemed determined not to speak to Warren. Despite portraying such an unsympathetic character, Dern did an excellent job in attracting the audience’s sympathy, as his character discovered his son’s grisly fate at Warren’s hands. Michael Masden gave a very quiet and subtle performance as Joe Gage, a rather silent cowboy who claimed to be on his way to visit his mother. And yet … he also projected an aura of suppressed danger, which made one suspect if he was Daisy’s collaborator. A rather interesting performance came from Demián Bichir, who portrayed the stage station’s handyman, Bob. Like Madsen’s Gage, Bichir’s Bob struck me as a quiet and easygoing man, who also conveyed an element of danger. I was very surprised to see Channing Tatum in this film, who portrayed Jody Domergue, Daisy’s older brother. Although his role was small, Channing was very effective as the villainous Domergue, who could also be quite the smooth talker. “THE HATEFUL EIGHT” also featured excellent supporting performances from the likes of James Parks, Dana Gourrier, Lee Horsley, Zoë Bell, Keith Jefferson and Gene Jones.

Yes, I found “THE HATEFUL EIGHT” too long. I feel it could have been cut short at least by forty minutes. And I was not that impressed by Quentin Tarantino’s voice over in the film. I could have done without it. But despite its flaws, I cannot deny that I found “THE HATEFUL EIGHT” to be one of the director’s more interesting movies in his career. With a first-rate cast led by Samuel L. Jackson, Kurt Russell, Walton Goggins and Jennifer Jason-Leigh; and a screenplay that seemed to be an interesting combination of a murder mystery and a Western; Tarantino created one of his most original movies during his career. 

"THE HATEFUL EIGHT" (2015) Photo Gallery

Below are images from the new Western-mystery film, "THE HATEFUL EIGHT". Directed by Quentin Tarantino, the movie stars Samuel L. Jackson, Kurt Russell, Jennifer Jason-Leigh and Walton Goggins: 


"THE HATEFUL EIGHT" (2015) Photo Gallery