CHARLES GUNN AND HIS ROLE IN ANGEL INVESTIGATIONS
There is something about one of the episodes of "ANGEL" that has always bothered me. My unease centered around an incident between two of the series’ major characters that occurred in the early Season 3 episode, (3.03) "That Old Gang of Mine". But to understand the nature of my unease, one has to return to two episodes from Season 2 - (2.10) "Reunion" and (2.12) "Blood Money".
As many fans of ”ANGEL” are aware, Angel had decided to fire his three companions – Cordelia Chase, Wesley Wyndham-Price and Charles Gunn – as a despondent reaction over his failure to save a human Darla from the manipulations of Wolfram and Hart and the vampire he had sired, Drusilla; in the episode ”Reunion”. Although upset over Angel’s actions, Cordelia, Wesley and Charles had decided to revive Angel Investigations in the episode, ”Blood Money”:
Gunn takes the card and looks at it.
Gunn: "That's a Angel? Looks like a - a lobster with a - growth or... We'll make our own logo."
Wesley: "Yes. Something sleek, but edgy."
Gunn: "Something that says: you need help, we're there."
Wesley: "Exactly. Danger is our business. (Cordy put a hand to her forehead and begins to stagger) We'll catch you when you fall."
While celebrating the successful conclusion of a case that involved a demon, the trio had a discussion on their agency’s new name:
Gunn: "Our new agency."
Wesley: "Wyndham-Price Agency."
Cordy and Gunn: "The what?"
Wesley: "You don't like it? - It's classy."
Cordy: "It's stuffy. - The Chase Agency! *That* has the right ring."
Wesley: "Why?"
Cordy: "Because it's my name."
Gunn: "Uh, Wes, Ms. Chase, alright, there is only one player here with a name that strikes dread in the demon heart."
Points at himself.
Cordy: "Gunn?"
Gunn: "Uh-huh."
Mind you, the above conversation that took place was nothing more than a spot of fun for the trio. They eventually decided to maintain the agency’s former name – Angel Investigations.
Now, according to many fans of the series, Cordy, Charles and Wesley had all decided that despite being equal partners in the updated version of the firm, Wesley would act as case leader. In other words, due to his past as a Watcher and extensive knowledge of the supernatural world, he would lead the other two when they were actually on a case. This did not make Wesley head of the firm altogether or the official boss of Angel Investigations. He would simply act as leader during a case. But after an early episode in the following season, a good number of people – including Joss Whedon and Tim Minear – had forgotten.
Then came the early Season Three episode, ”That Old Gang of Mine”. In this particular episode, Charles discovers his former comrades are murdering harmless demons for fun. When he tries to convince them to stop, he learns that - due to his association with Angel - he has lost their trust. One of his former associates gives Charles the opportunity to win their trust by killing Angel, who is unable to defend himself due to a spell. Near the end of the episode, Wesley had threatened to fire Charles if the latter ever goes against Angel Investigations again.
Here is the rub. Why in the hell would Wesley threaten to fire Charles? HE HAD NO RIGHT TO DO THIS. Charles was no longer an employee of Angel Investigations. He was one of three partners. I realize that he and Cordelia had voted to allow Wesley act as leader in their cases. But this gave Wesley NO RIGHT to treat Charles as an employee, instead of a partner. He should have told Charles that he and Cordelia would break their partnership with Charles if the latter ever pulled again what he did in "That Gang of Mine". Instead, Wesley treated Charles like a minion. Even worse, no one has protested against Wesley’s behavior this to this day:
Gunn: "Don't guess Rondell and his crew are gonna be crossing Venice boulevard again any time soon."
Wesley: "It's never easy - the pull of divided loyalties. - Whatever choice we do end up making we feel as though we've betrayed someone."
Gunn: "Yeah."
Wesley: "If you ever withhold information or attempt to subvert me again, I will fire you. - I can't have any one member of the team compromising the safety of the group, no matter who it is. If you do it again you will be dismissed, bag and baggage, out of a job onto the streets."
Just reading the above passage pisses me off. Did Wesley actually believe he had a right to treat Charles like an employee? Like some damn minion? Tim Minear – who wrote the transcript – and Joss Whedon obviously allowed Charles to accept the threat as genuine. And I do not understand this. What in the hell were they thinking? Both seemed to have forgotten that Angel Investigation 2.0 had been co-founded by Charles, Wesley and Cordelia. Because of this, Wesley had no right to treat Charles like some employee, instead of a colleague and co-owner of the agency. But since Minear and Whedon seemed to be stuck in their vision of Charles as some muscle-bound employee, they made a major blooper in regard to Charles' character. And worst of all, the majority of the Jossverse fans see nothing wrong in Wesley’s treatment of Charles or the idea that the Englishman was the African-American’s employer and not fellow colleague.
I am sick to my stomach.
Below is a look into (5.02) “Just Rewards”, a Season Five episode from ”ANGEL”:
”ANGEL” RETROSPECTIVE: (5.02) "Just Rewards"Co-written by David Fury and Ben Edlund and directed by James A. Contner, the Season Five episode, (5.02) “Just Rewards”, was an immediate follow-up to the conclusion of the season premiere, (5.01) “Conviction”. The latter ended with Angel receiving a mysterious package that contained the amulet he had given to Buffy Summers in the ”BUFFY THE VAMPIRE SLAYER” finale, (7.22) “Chosen”. When the amulet activated, it released Spike’s non-corporeal body. At the beginning of ”Just Rewards”, Spike explains that he was killed in Sunnydale during the final battle featured in ”Chosen”, while wearing the amulet. He also explains that the amulet he wore brought his non-corporeal spirit to Wolfram & Hart. When Angel learns that a necromancer named Hainsley is buying corpses from Wolfram & Hart to reanimate with demonic essences, he decides to pay him a visit to tell him that they will no longer supply him with bodies. Spike decides to tag along and is offered a body by Hainsley.First of all, I have to say that the interaction between Angel and Spike were dead on. When the episode had first aired, someone stated that Spike's character seemed to have regressed. Of course, you have to understand from his point of view that a) he is dealing with Angel; b) his death did not go off as expected, hence his anger and frustration at The Powers to Be; c) despite his "regression" and dislike of Angel, he helped his grandsire overcome the necromancer anyway. James Marsters' performance was fantastic, although there were moments when he seemed to overdo it a little. However, his last scene with Amy Ackers was superb, as he effectively brought out Spike's pathos and fear of being permanently stuck in a hell dimension. I am not surprised that a Spike/Fred romance never materialized. They never really struck me as a couple with a potential for romance. However, I was not surprised that they became close friends.David Boreneanz also gave a great performance. It seemed as if working with Marsters has brought out the best in him. I had no idea that Angel had so many issues regarding Spike. I guess it would have been a lot easier for him to believe that the Bleached Wonder had not changed. It is interesting that he had failed to inform the Angel Investigations team about Spike and Buffy's relationship, Spike's soul and the fact that the latter had saved the world. Resentment perhaps? It seemed as if both Angel and Spike had major issues that need to be resolved between them around that time. And the first issue they both had to get over their “rivalry” over Buffy, just as Drusilla had been an issue in the past.I had also heard people complain that Wesley Wyndham-Pryce, Fred Burkle and Lorne were not seen that much in this episode. I believe they were right. With the exception of the establishment of Spike’s friendship with Fred, she – along with Wes and Lorne – barely made an impact in this episode. However, Charles Gunn did not suffer from a lack of scenes. In fact, I suspect that he was slowly assuming Wes' role as Angel's "Prime Minister" around this time.As for Harmony, she did not bother me one bit. I have always enjoyed Mercedes McNab’s portrayal of Harmony. Quite frankly, she has always been a lot of fun to watch. And I really enjoyed her jealous reaction to the news about Spike's relationship with Buffy. Poor Harmony. Even after shooting Spike in the back with an arrow and declaring her emotional independence in the ”BUFFY”episode, (5.14) “Crush”, she remained infatuated with him. Victor Raider-Wexler (from AMC-TV’s ”THE LOT”) gave a deliciously creepy performance as the necromancer, Magnus Hainsley. The character seemed to be a powerful magic practioner. I wonder how he would have done against Willow? I also wonder how many of his previous clients continued to walk the streets of Los Angeles. All in all, ”Just Rewards” was an entertaining episode. It reminded me of how much I had enjoyed that early period of Season Five.
While watching my DVD set box for Season Four of "BUFFY THE VAMPIRE SLAYER", I came across this Thanksgiving episode called (4.08) "Pangs" and wrote the following article about it: "BUFFY THE VAMPIRE SLAYER" RETROSPECT: (4.08) "Pangs"Season Four has never been that popular with fans of "BUFFY THE VAMPIRE SLAYER". It was the first season that did not feature the vampire Angel as a regular character. And it marked the beginning of Buffy Summer's romance with university teaching assistant/Army demon hunter Riley Finn. And many fans were not that thrilled by the Initiative storyline. I have never had a problem with Season Four. Mind you, I would not count it as among my top four out of seven seasons. But it featured at least two of my favorite "BUFFY"episodes of all time. And one of them is the holiday-themed "Pangs".While preparing a Thanksgiving feast for her close friends in the absence of her mother, University of California Sunnydale student and vampire slayer Buffy Summers encounters the restless and vengeful spirit of a Native American, called Hus, whose people - the Chumash tribe - were wiped out by Spanish and American settlers. Hus's spirit was released during a groundbreaking ceremony for U.C. Sunnydale's new Anthropology building. Hus managed to murder the Curator for the building's museum and a local priest who had attending the ceremony. During her frantic efforts to prepare Thanksgiving and deal with Hus, Buffy is unaware that former boyfriend Angel has returned to Sunnydale to keep an eye on her, after a friend of his (former regular character Cordelia Chase) has received a vision of her being in danger. She is also unaware that soon-to-be boyfriend Riley Finn is part of an U.S. Army program called the Initiative, which hunts down and experiments on demons. One of the Initiative's victims turned out to be Buffy's current nemesis, vampire Spike, who had managed to escape from his Initiative prison in the previous episode, (4.07) "The Initiative". Due to his inability to feed upon or commit violence against humans, Spike is slowly starving. He first seeks help and refuge from fellow vampire Harmony, who refuses to have anything to do with him. Desperate, he turns to Buffy and the other Scoobies for refuge in exchange for information about the Initiative."Pangs" did provide a few problems for me. One, the episode's writer, Jane Espenson, erroneously stated that the Chumash had been wiped out. Despite the Spanish, Mexican and American governments; the band still exists. Two, Buffy informed her friends that her mother Joyce left Sunnydale to spend Thanksgiving with an aunt. Why did Buffy, who was eighteen at the time, stay in Sunnydale? Why did she fail to accompany her mother for what was obviously a family gathering? Did Buffy have something against this particular "Aunt Pauline"? Three, during her last fight with Hus and the Chumash spirits he had summoned, Buffy unsuccessfully used her knife on Hus and claimed that he and his fellow spirits do not die. Yet, in a scene later, Angel managed to break the neck of one Chumash spirit and impale another with a knife. Hmmmm . . . I smell inconsistency in the air. And four, Angel's visit to Sunnydale led to the "ANGEL" Season One episode, (1.08) "I Will Remember You", which I loathe with every fiber of my being.Aside from these narrative hiccups, "Pangs" remains a personal favorite of mine. At first glance, it seemed like a stand-alone episode that had nothing to do with the season and series' plot arc. As it turned out, it did."Pangs" marked the first time Spike would hang out with the Scoobies. It led to another setback in Buffy and Angel's relationship. It marked the first time that the Scoobies became aware of the Initiative, thanks to Spike. And it provided another chapter in Buffy's growing relationship with Riley Finn. This seems like an awful lot, considering that this episode mainly focused on Buffy dealing with a Thanksgiving feast and a vengeance spirit - two topics that were quickly resolved by the end. But Espenson and director Michael Lange. But the best things I can say about "Pangs" is that it featured superb performances and some incredibly funny dialogue and camera visuals. I tried to think of some of the best dialogue found in the episode and came across several lines. Among my favorites featured Buffy's ability to remain focused . . . or obssessed with her feast, while discussing their problems with Hus. However, one should not be surprised that Spike was responsible for the funniest moment in the episode in a scene that featured both Buffy and her friend Willow Rosenberg's reluctance to destroy Hus, due to their guilt over the country's past with Native Americans:BUFFY: Will, you know how bad I feel. This is eating me up -- (to Anya, who holds up the bottle of brandy) -- a quarter cup, and let it simmer -- (to Willow, as Anya goes back) -- but even though it's hard, we
have to end this. Yes, he's been wronged, and I personally would be ready to apologize...
SPIKE: Oh, someone put a stake in me!
XANDER: You got a lot of volunteers in here...
SPIKE: I just can't take this mamby-pamby boo-hooing over the bloody Indians!
WILLOW: The preferred term is --
SPIKE: You won! All right? You came in and you killed them and you took their land. That's what conquering nations do! That's what Caesar did, he's not going around saying "I came, I conquered, I felt really bad about it!" The history of the world is not people making friends. You had better weapons, you massacred them, end of story!
BUFFY: Well, I think the Spaniards actually did a lot of... not that I don't like Spaniards...
SPIKE: Listen to you! How are you gonna fight anybody with that attitude?
WILLOW: We don't want to fight anybody.
BUFFY: I just want to have Thanksgiving.
SPIKE: Yeah, good luck.
WILLOW: If we could talk to him --
SPIKE: You exterminated his race. What could you possibly say that would make him feel better? It's kill or be killed here. Take your bloody pick.James Marsters really acted the hell out of that scene. And I am not surprised. To this day, I believe that his portrayal of Spike was one of the best television performances I have ever seen . . . period. And he was really marvelous in this episode. So were Anthony Stewart Head, who did a top-notch job in giving a comic twist to a Rupert Giles who found himself manipulated by Buffy into holding the Scoobies' Thanksgiving feast at his apartment; Alyson Hannigan, who was also superb as best friend/witch Willow Rosenberg, who did not hesitate to express her conflict between dealing with Hus and her guilt over the region's ugly past in dealing with the Chumash people. Nicholas Brandon and Emma Caufield gave fine support as Buffy's two other friends, Xander Harris and former vengeance demon Anya Jenkins. Marc Blucas was charming as Buffy's soon-to-be boyfriend, Riley Finn. And he was ably supported by an exuberant Leonard Roberts. Mercedes McNab displayed excellent comic timing in scenes that featured recently sired vampire Harmony Kendall's encounters with Spike and Xander. David Boreanaz took a break from his new series at the time, "ANGEL" to give an intense, yet at times funny performance as Buffy's ex-vampire squeeze, Angel. But the real star of this episode was Sarah Michelle Gellar. She gave both a hilarious, yet poignant performance, revealing Buffy's somewhat obssessive determination to make her Thanksgiving a success. In fact, I believe I enjoyed her performance even more than Marsters. And that is quite an accomplishment, considering that Marsters is a natural-born scene stealer.Yes, "Pangs" had a few problems. And its main narrative surrounding the dangers of a Native American vengeance spirit did not exactly strike me as memorable. However, I do believe that the narrative made an interesting comment on how conflicted Americans have become in viewing our county's history. More importantly, Spike's comments on the cirumstances that led to Hus' path of vengeance is a brutal reminder of how monstrous human beings can be - a foreshadow of the Scoobies' future behavior later in the series. Thanks to Jane Espenson's hilarious script, Michael Lange's direction and a superb cast led by Sarah Michelle Geller, "Pangs" remains one of my favorite "BUFFY THE VAMPIRE SLAYER" episodes to this day.
"WHY RHONDA WILCOX DOES NOT MATTER"
I am feeling very emotional right now. I have managed to read nine out of twelve chapters of "WHY BUFFY MATTERS: The Art of Buffy the Vampire Slayer". After reading the latest chapter called, Fear: The Princess Screamed Once - Power, Silence and Fear in "Hush", I decided not to finish the book. Why? The last chapter really pissed me off.
What I am about to say will probably not generate any sympathy toward my views. It has a lot to do with Rhonda Wilcox's opinion on the character, Riley Finn. And Riley, bless his heart, is probably one of the more hated characters in Buffyverse. But you know what? Regardless of how other fans may view Riley, what Wilcox had to say about him in her book pissed me off. It was the last straw.
The first straw - at least for me - had nothing to do with Riley. It had to do what Wilcox had to say about a character created for another fictional universe. Earlier in the book, Wilcox compared the characters of Buffy Summers and Harry Potter in a chapter titled, When Harry Met Buffy: Buffy Summers, Harry Potter and Heroism. Not only did Wilcox compared Buffy and Harry in this chapter, but their friends as well. This idiot woman had the nerve to compare the characters of Xander Harris (BUFFY) and Ron Weasley (HARRY POTTER) in the following manner:
"Their (Xander and Ron) lack of special gifts accentuates the loyalty and bravery that Ron and Xander each offers as a friend to a character frequently placed in abnormal danger.
Thus, in each world, there is a triumvirate of friends: Harry and Buffy each have a modest, normal male and an unusually intelligent female as friends."
Ron Weasely lacked special gifts? Ron? He was a wizard. He did not lack any supernatural powers like Xander. Nor was he a less gifted magic practitioner than Harry or Hermioine. Ron lacked Harry's special gift for Defense Against the Dark Arts and Quidditch. But he was still proficient in both skills. He lacked Hermioine's intelligence. But so did Harry. And Ron was better at Defense Against the Dark Arts magic than Hermioine. Most importantly, Ron was a very skillful chess player - something that neither Harry or Hermioine could boast. Apparently, Ms. Wilcox has forgotten this and decided to judge Ron's character based on his "Idiot at Hogswarts" portrayal in the movies. Not a very good researcher, is she?
But her comparison of Ron Weasley and Xander Harris was nothing in compare to what she had to say about Riley in the chapter about "Hush". In one passage, Wilcox described Riley in this manner:
"It connects Riley with the myth of Virgil's Aeneas, the hero of 'Aeneid', one of the three great Greco-Roman epics. (And I refer you to C.W. Marshall's article on Giles and Aeneas in 'Slayage' to suggest the further applicability of this particular source.) Aeneas is perhaps the most purely patriarchal of the classic heroes. This (to me) dull and duty-bound hero is an excellent parallel for Riley, the least liminal of Buffy's significant others.
This woman is a moron. Okay, perhaps I may have been a little too harsh. But Wilcox actually have the nerve to label Riley as "purely patriarchal". Riley Finn? Had Wilcox been so blinded by her dislike of him that she failed to notice that he was hardly patriarchal? For me, Riley's problem - at least in early and mid Season Four - seemed to be his willingness to blindly adhere to authority figures, whether they were patriarchal or in the case of Maggie Walsh, matriarchal. If one good thing that came out of Riley's relationship with Buffy was that he learned to stop following authority figures in such a mindless manner. Yes, he had rejoined the Army. But post-Season Five Riley was open-minded enough to allow Buffy to make a decision on what to do about Spike when they learned he was smuggling demon eggs in Season Six's "As You Were". It was the same Riley who helped Buffy get rid of the chip in Spike's brain in Season 7's "The Killer in Me", despite his dislike of the vampire.
She also claimed that following the end of Riley's relationship with Buffy, he decided to invest his identity in being a fighter and not a lover:
"Those familiar with the Bufy story beyond the standalone "Hush" episode can see further parallels: after Aeneas and Queen Dido's love affair, he leaves to fight for his (future) country and she kills herself. Just so, Riley eventually decides to invest his identity in being a fighter, not a lover; he rejoins the Army and departs the Hellmouth, leaving Buffy to kill herself during the battle against Glory (and consider the military implications of that phrase: the battle 'against' Glory)."
Apparently, Wilcox forgot that not only did Riley rejoin the Army, he GOT MARRIED! She forgot or had decided to dismiss that one little tidbit.
Later, she accused Riley of fearfulness:
"But to return to the fearfulness of Riley. That phrasing ambiguously allows two implications: that Riley is fearful, and that Riley is to be feared. And I would argue that this episode suggests the same - and applies the fear to all that Riley stands for."
If Wilcox was referring to Riley's inability to communicate to Buffy his fears about their relationship in Season Five - I could understand this. But . . . as usual, she overlooked something else. Namely Buffy's inability to communicate her own fears to Riley. She also failed to mention that Buffy's fear of being emotional damaged in a relationship after her experiences with Angel led her to get involved with Riley in the hopes of having a "normal" relationship. I suspect that by Season Five, Riley began to fear this. And this is where Riley's fearfulness came in. He failed to communicate his fears to Buffy before it was too late.
Had Wilcox been so willing overlook Riley's more complex nature in order to paint Riley in such a one-dimensional manner? It seemed like it. In fact, she seemed so driven by her dislike of the character that she dumped the blame of their break-up solely upon his shoulders. And as I had stated earlier, she literally viewed Riley as some human version of the Gentlemen from "Hush":
"Riley is both Aeneas and the Gentlemen. Heroic self-denial and repression - with all the attendant miseries."
And;
"Consider the closing scene. This episode presents patriarchy as horror in the form of the Gentlemen, and patriarchy with its best face on as the kindly, brave Riley. Riley can help Buffy defeat that worst side of patriarchy, but is he, its best incarnation, enough for Buffy?"
Riley Finn is a symbol of the patriarchy of the Gentlemen? Riley Finn was the series' best incarnation of patriarchy? Wilcox was speaking of a character who had allowed his view points and his life to revolve around women - whether it was Maggie Walsh in Season Four or Buffy in early Season Five. I only hoped that he had managed to break this habit with his marriage between Seasons Five and Six.
Right now, I am desperately trying to maintain my temper . . . and remember that I am discussing fictional characters. I realize that Ms. Wilcox, like many Buffyverse fans disliked Riley. I understand. I dislike Angel. I have for a long time. But I have always felt that Angel had the capacity to grow as a character. I have also experienced moments when I have either sympathized or even liked him. But I hope and pray that I would never devolve into the kind of characterizations of Angel or any other fictional character I may dislike in the same way that Wilcox has characterized Riley Finn. Her portrait of Riley in her book only makes me realize that I had wasted my time reading her book.
"THE POWERS TO BE IN WHEDONVERSE"
While perusing one of the many ”BUFFY THE VAMPIRE SLAYER” message boards on the Internet, I came across a passage from an article titled, ”Classic CJL: Spike and the Whedonverse”:
”In order to battle the new enemy (vampires), the Powers have called upon Slayers, Champions (welcome, Cordy!), Seers and Mystics, all dedicated to protecting the human race from the vampires and half-breed demons who feed upon and ravage the populace.”
Like many other "BUFFY" fans, I had believed in this nonsense . . . until I saw the Season 7 episode, ”Get It Done” (7.15). Thanks to this particular episode, I finally came to the conclusion that the above comment about the so-called “Powers to Be” featured in both"BUFFY" and its spin-off, ”ANGEL just might not be true
Following the suicide of one of the Potential Slayers and a dream of the First Slayer, in ”Get It Done”, Buffy Summers (Sarah Michelle Geller) receives a bag from Principal Robin Wood (D.B. Woodside). The bag had once belonged to his mother – a former Slayer in the 1970s named Nikki Wood. This bag eventually leads Buffy to discover the true origins of a long line of vampire slayers. .
In ”Get It Done”, Buffy finally learns the real truth about the Slayer line’s origins. It was not Powers to Be who had created the line. Instead, a trio of ancient African shamans had committed the dead, in order to create a weapon (one of flesh) to fight vampires and other demons for them. And to insure that this weapon would remain in their control – and under the controls of those that followed them – they made sure that the Slayer line would continue through countless young females throughout the ages. Why? Because they had believed that adolescent girls and young women would be easily controlled, due to their ages and gender.
So, one has to wonder. Did the First Slayer, Buffy, Faith, Kendra, Nikki Wood, Xin Rong and all of the Slayers before and after really have a sacred duty to defend humans against vampires and other demons, because of the Powers to Be? Or had they merely been reluctant conscripts in a never ending war waged against demons by these shamans and their descendants – the Watcher’s Council?
Speaking of vampires, here is another passage from the article . . . this time, about Angel (David Boreanaz) – the vampire with a soul, who had formed his own gang to fight demonic evil on his own show in Los Angeles:
”Of course, the biggest exception to the rule, the vamp who broke the mold, is Angel. The Powers and our Lord Joss have spent a great deal of time and effort guiding his path from Chaos, prepping him for his pivotal and unique role in the upcoming ‘End of Days’ we’ve been waiting for since BtVS, Season 1.”
I am curious. Exactly how did the vaunted Powers to Be guide Angel toward his actions in one of the late "BUFFY" episodes, ”End of Days”? I will admit that the Powers to Be were responsible for placing him in Buffy’s path back in 1996. A demon named Whistler had introduced Angel to the future Slayer and within less than a year, he would follow her to Sunnydale and his own future in demon slaying.
But the Powers to Be had not been responsible for giving him his soul back in 1898. A group of Kalderash gypsies from Romania had restored his human soul in an act of revenge for his murder of one of their children. This soul would afflict him with a conscience and condemn him to an eternity of remorse for the crimes he has committed. After Angel lost his soul one hundred years later in 1998, it was Buffy’s friend, Willow Rosenberg, who had restored his soul. Come to think of it, Willow performed this act again, five years later, on the behest of Angel’s L.A. associates. If the Powers to Be were not responsible for the restoration of his soul, who would have become their “Champion” if Angel had not killed that Kalderash gypsy child?
As for his role in the so-called ‘End of Days’ – the only task he ended up performing was to hand Buffy the amulet that would help her defeat the First Evil’s plans to upset the balance of good and evil. Come to think of it, the heads of Wolfram and Hart – the Powers to Be’s opposite number – had given Angel that amulet. And it was Spike who eventually wore the amulet in the "BUFFY" series finale,"Chosen" (7.15) that led to the First Evil’s defeat.
From what I have surmised, the Powers to Be only committed one major act in the so-called ”war against evil” - they had used Whistler to guide Angel into making his aquaintance with Buffy, before she became a Slayer. They certainly were not responsible for the creation of the Slayer line. And they certainly were not responsible for Angel receiving his human soul. Come to think of it, they were not responsible for Spike retrieving his soul. Apparently, William the Bloody had made the choice to regain his soul. No one made it for him. Which only leads me to wonder just how relevant were the Powers to Be in the Whedonverse.
"GUIDANCE AND ESTRANGEMENT"
During its seven seasons run, the television series, "BUFFY THE VAMPIRE SLAYER" has generated a good number of controversy amongst its fans, other viewers and the media in its approach to several subjects regarding its main character, Buffy Summers, and its supporting characters. Many of those subjects have included sex, violence, addiction, and discrimination – both gender and racial. But there seemed to be one topic that fans of the series seemed to be in conflict over – namely authority figures and how it pertained to Buffy’s relationship with her Watcher, Rupert Giles.
When the series first began in January 1997, Buffy and her mother, Joyce Summers, had recently moved from Los Angeles to Sunnydale; following the latter’s divorce from Buffy’s father, Hank. The Summers’ marriage had buckled under the strain of his infidelity and Buffy’s early activities as a Slayer in Los Angeles. The move to Sunnydale also meant the eventual erosion of daughter and father’s relationship. Since Buffy’s first Watcher, Merrick, had killed by a vampire named Lothos; the young Slayer found herself with a new Watcher – the English-born Rupert Giles.
The relationship between Buffy and Giles went through many stages and emotional upheavals. Due to her father’s declining presence in her life, the Slayer began to regard her Watcher as a new father figure. Yet, at the same time, she struggled to maintain a private life of her own – one that involved school and a social life – despite Giles’ insistence upon her focusing upon her training and duties as a Slayer. One such incident occurred when Buffy wanted to forego another training session to attend a fraternity party at Sunnydale’s University of California campus in (2.05) “Reptile Boy”. Despite their occasional bouts of conflict and the crisis surrounding the re-emergence of Angelus in late Season Two, Buffy’s view of Giles as a replacement for her father had grown stronger by mid-Season Three. Then came the Cruciamentum in the episode, (3.12) “Helpless”
The Cruciamentum was a test that senior members of the Watchers Council put each Slayer through on her eighteenth birthday. She must be weakened (namely stripped of her Slayer abilities) and left alone with a vampire to test her skills and resourcefulness. The weakened Slayer rarely survives such a test. As I had stated earlier, Buffy had truly began to regard Giles as a second father, especially since her own father failed to appear and take her to an ice show for her 18th birthday. Unfortunately for Buffy, the Cruciamentum test proved to be the first time that Giles would betray her. Showing more loyalty to the Council than the Slayer, he placed Buffy under hypnosis before stripping away her Slayer abilities with a drug. However, guilt over his betrayal and the danger of a psychotic vampire loose upon Sunnydale led Giles to confess his actions and help her deal with the vampire. Because of his actions, the leader of the Watchers Council – Quintin Travers – accused Giles of being too emotionally close to Buffy and fired him. However, Buffy severed her ties with the Watchers Council and continued to regard Giles as her Watcher. However, the Cruciamentum did not prove to be the last time that Buffy and Giles would clash.
Season Five provided more heartaches and crisis for Buffy than any previous season. Buffy’s relationship with her college boyfriend, Riley Finn, crashed and burned. She discovered that her old nemesis, the vampire Spike, had fallen in love with her. Joyce became seriously ill. And a new member joined the Summers household – a younger sister named Dawn. However, Buffy and the Scoobies eventually learned in (5.05) “No Place Like Home” that Dawn was originally a mystical object known as the Key, which can be used to open portals to alternate dimensions; a group of monks transformed the Key into human form and sent it to the Slayer for protection from the villainous hellgod, Glory. The hellgod wanted to use the Key (Dawn) to return to her home dimension. The memories of Buffy and her associates were altered, along with relevant records, so that they believed Dawn had always existed as Buffy’s sister. Once Glory discovered that Dawn was the Key, her presence became a threat to human existence. Giles certainly believed so and insisted that Buffy kill Dawn before Glory can use her blood in (5.22) “The Gift”. Fearful for Dawn’s life, Buffy asked Spike to protect the teenager from any threat. I can only wonder if she had viewed Giles as a possible threat.
Eventually, Buffy sacrificed her life to stop the threat of Glory and to close the portal that the hellgod had used Dawn’s blood to open. Several months following Buffy’s death, Giles decided to return home to England in (6.01) “Bargaining”. Following her resurrection, he returned to Sunnydale. However, he noticed that Buffy had begun a disturbing trend of depending upon him for everything – including matters in her non-Slayer life. In the episode, (6.07) “Tabula Rasa”, Giles decided to return to England in order for Buffy to gain independence. He did not return, until the crisis over Willow’s turn to evil evolved, following the death of her lover, Tara Maclay.
Giles’ return to England during Season Six proved to have a major impact upon his relationship with Buffy during the show’s seventh and final season. The impact of his disappearance would not be realized, until the two clashed over the status of a chip-free Spike in the episode, (7.17) "Lies My Parents Told Me". After acquiring his soul in Africa, during the Season Six finale, (6.22) “Grave”, Spike returned to Sunnydale, racked with guilt over his past as a vampire and his attempted rape of Buffy in (6.19) “Seeing Red”. And unbeknownst to himself and others, he was being mentally tormented and controlled by the season’s Big Bad – the non-corporeal being known as the First Evil. Spike’s troubles did not end there. By (7.13) “The Killer in Me”, the chip was slowly killing Spike and Buffy had to request help from her old flame, Army officer, Riley Finn, to remove the chip for good. Spike was finally free from the dangers of the chip, but not from the First Evil.
Buffy and Giles’ clash over Spike first spilled over in an amusing exchange featured in the beginning of the following episode, (7.14) “First Date”. However, Giles’ anxieties over Spike’s chip-free and First Evil-influenced state continued unabated. He continued to insist that Spike be contained or slayed, for the safety of the Potentials and the Scoobies, now residing inside the Summers house. Giles disappeared for two episodes and returned at the beginning of ”Lies My Parents Told Me” with a magical artifact called a Prokaryote stone. Willow used the stone and a spell to penetrate Spike's mind and make him more conscious of how the First Evil’s trigger worked. Needless to say, the session ended in disaster, with Spike unintentionally hurting Dawn (why Buffy allowed her to hang around, I do not know). Following the failure to break the First Evil’s hold on Spike, Giles conspired with Robin Wood – the son of a Slayer that Spike had killed back in 1977 – to kill the blond vampire behind Buffy’s back. Buffy eventually realized what Giles and Wood had conspired and coldly ended their Watcher-Slayer relationship . . . and friendship.
I am not really surprised that Buffy turned his back on him, following the incidents of ”Lies My Parents Told Me”. As I had earlier pointed out, it was not the first time he had betrayed her. He betrayed her in Season 3's "Helpless". But he realized his error and made amends in the end. In late Season 5's "The Gift", he continuously pressured Buffy to kill Dawn in order to save the world. Not only did she refuse, but she asked Spike to kill him or anyone else who made a move toward Dawn. Even if Dawn's death would have saved the world, I do not think that Buffy could have lived with herself if she had killed her younger sister. Her slide into catatonia in (5.21) “The Weight of the World”, following Glory’s abduction of Dawn, struck me as proof that Buffy would have serious problems with anything happening to her younger sisters.
But Giles’ betrayal in "Lies My Parents Told Me" proved to be the last straw. Not only did Giles plotted behind her back, he never expressed any remorse for his actions. Worse, he only gave Spike once chance to deal with the First Evil’s trigger before he began plotting with Robin Wood behind Buffy's back. Giles never took into account that triggered or not, Spike was not the only dangerous person in that house. There was Willow, who was not only a very powerful witch, but still emotionally unsure about herself. And I suspect that if the First Evil had triggered Spike, he would have to deal with Willow, a powerful and experienced Slayer in the form Buffy, and a house full of potential Slayers. Giles never considered all of this or that Wood’s plotting centered on an emotional desire for revenge against Spike. Instead, he allowed his fears and his dislike of the vampire to rule his emotions. And he never expressed any remorse for his actions.
Buffy had been slowly maturing as a person throughout the series' run. By late Season Seven, it was time for her to realize that Giles did not always have the answers or that he was not always right. It was also time for her to realize that sometimes, every individual has to question authority figures . . . or rely upon yourself and not a parent or a surrogate parent. Back in early Season Six, Giles realized that Buffy could not always depend upon him and that sooner or later, she would have to learn to stand on her own. Unfortunately, the destruction of the Watchers Council triggered a great deal of fear within Giles. He forgot about his resolve about Buffy becoming an adult, and tried to overcome this fear by resurrecting his old relationship with Buffy. By ”Lies My Parents Told Me” he failed to realize that she had matured too much for him to recapture it.
Buffy and Giles had failed to resolve their conflict over his final betrayal by the end of the series . . . despite their willingness to fight together in the final battle against the First Evil’s plans in (7.22) “Chosen”. Their relationship grew worse over Giles’ failure to inform Buffy about his and Faith Lehune’s dealings with a rogue Slayer named in one of the Season Eight stories featured in a series of comic books based upon the series. It was not until their dealings with the being known as Twilight (aka Angel) that Buffy and Giles finally reconciled. Unfortunately, their reconciliation did not last very long. While still under the guise of Twilight, Angel murdered Giles. Pity. It would have been nice to see Buffy and Giles develop an equal relationship between two friends and colleagues.
