Showing posts with label jennifer lawrence. Show all posts
Showing posts with label jennifer lawrence. Show all posts

Tuesday, April 10, 2018

"THE HUNGER GAMES: CATCHING FIRE" (2013) Review

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"THE HUNGER GAMES: CATCHING FIRE" (2013) Review

Despite my enjoyment of the 2012 movie, "THE HUNGER GAMES", I must admit that I had regarded its sequel, "THE HUNGER GAMES: CATCHING FIRE" with a wary eye. One, the movie franchise had replaced Gary Ross with a new one, Francis Lawrence. And two, a relative who had read all three of Suzanne Collins' novels expressed a less-than-impressed opinion of the second installment, which this movie is based upon. But enamored of the first film, I decided to give this second one a chance. 

"CATCHING FIRE" picked up not long after the ending of the first installment. The winners of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark, have returned to their homes in the impoverished District 12. But due to their winnings, both now reside in upscale neighborhoods. Before they are scheduled to embark upon their victory tour of Panem, Katniss receives a visit from the tyrannical President Snow, who reveals that her actions in the recent Games have inspired rebellions across the districts. He orders her to use the upcoming tour to convince everyone her actions were out of genuine love for Peeta, not defiance against the Capitol. The victory tour goes off well, aside from an emotionally difficult and violent visit to District 11, the home of the deceased tributes, 12 year-old Rue (whom Katniss had befriended) and Thesh (who had saved Katniss). 

Despite the tour and the installment of violent Peacekeepers in District 12 to crack down on any signs of rebellion, President Snow remains fearful of Katniss being used as a symbol of any possible upheavals. The new Head Gamekeeper, Plutarch Heavensbee, proposes a special Hunger Games called the Third Quarter Quell (the 75th Hunger Games), in which the tributes will be selected from previous victors. He believes the Games would either ruin Katniss' reputation, or kill her. As the only female victor from District 12, Katniss is naturally selected. However, her mentor Haymitch Abernathy is chosen as the male tribute. Peeta immediately volunteers to take his place. Haymitch informs the pair that most of the tributes are angry over being forced to participate again and suggests they make alliances. Although Katniss is against the idea, she and Peeta adhere to Haymitch's advice and find themselves in competition that ends with surprising results.

Despite becoming a fan of "THE HUNGER GAMES", I continued to resist watching Suzanne Collins' novels. Perhaps one day I will read them. But due to my unfamiliarity with the plots, the end of "CATCHING FIRE" pretty much took me by surprise. And this is a good thing. The movie's first third hinted of a growing rebellion against President Snow's rule over Panem in scenes that included Katniss and Peeta's harrowing visit to District 11, the beating of Gale Hawthorne (Katniss' closest friend and possible lover) at the hands of the Peacekeepers, and Snow's growing paranoia over Katniss. Even the scenes featuring Katniss' participation in the 75th Hunger Games continued hint the growing rebellion against Snow's administration and the Capitol through the characters like Haymitch, Katniss' friend and costume designer Cinna, and those serving as tributes. Characters like Beetee Lasnier and Johanna Mason expressed their dismay or anger at being forced to participate in another Hunger Game during their pre-Game interviews with Caesar Flickerman. Even Peeta tried to manipulate Snow into stopping the Game with false hint that Katniss might be pregnant. And during the Game, I found it interesting that Katniss and Peeta ended up forming an alliance with Lasnier and his District 3 counterpart Wiress, Johanna, and the two tributes from District 4, Finnick Odair and Mags - the only tributes to express any hostility toward the Games and President Snow. I had figured that all of them would eventually openly defy Snow by getting out of the Games. But thanks to some very good writing from Suzanne Collins, along with screenwriters Simon Beaufoy and Michael deBruyn; the circumstances behind the beginning of the rebellion really took me by surprise.

Another aspect of "CATCHING FIRE" that took me by surprise, turned out to be its cinematography. With the change of director, the franchise acquired a new cinematographer, Jo Willems. And I liked the way Willems expanded the look of Panem in the film. I suppose one could thank the movie's plot, which allowed viewers a look at the exclusive neighborhood of District 12, into which Katniss and Peeta moved following their victory at the 74th Games; the other country's districts, and the tropical environment that served as the 75th Games' new setting. But more importantly, Willems expanded the visual style of the Capitol . . . especially in a scene that featured Katniss and Peeta's arrival. This expanded visual really took me by surprise. The movie also acquired a new costume designer, Trish Summerville. I have to be honest. I found her costume designs similar to the ones created by Judianna Makovsky. I really do not see the differences . . . especially for those costumes worn by the cast for the Capitol sequences. Mind you, they are just as imaginative and beautiful as the ones featured in the first film. I simply cannot see the differences. There was one outfit - worn by Elizabeth Banks - that I found very original:

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I understand that the song "Atlas", written and performed by the group Coldplay have earned both Golden Globe and Grammy nominations. Congratulations to the band. However, I do not remember the song. Sorry. I simply did not find it memorable. I was also a little disappointed in how Lawrence (the director) seemed to rush the first third of the movie - namely the sequence featuring Katniss and Peeta's victory tour and District 12's problems with the so-called Peacekeepers that culminated in Gale's beating. It seemed as if he was in a hurry for the movie to focus on the 75th "Quarter Quell" Hunger Games. And if I may be blunt, I was also not that impressed by Alan Edward Bell's editing. It struck me as a little choppy - especially in the movie's first half.

The performances by the cast struck me as first rate. Jennifer Lawrence and Josh Hutcherson did superb jobs in continuing the development of their characters, Katniss Everdeen and Peeta Mallark. I noticed in this film that Lawrence conveyed a great deal of realism in Katniss' growing difficulty in containing her emotions regarding those she cared about. This was especially apparent in the scene following Gale's public whipping, Peeta's near death experience during the first day of the Games and the visit to District 11. Someone once described Peeta as a saint. I never could view him in this manner. He strikes me as a rather manipulative individual, who can also be a very good liar. What is amazing about Hutcherson's performance is that he perfectly balanced Peeta's manipulative skills with his near all consuming love for Katniss and willingness to do anything for her. 

Liam Hemsworth got a chance to develop his portrayal of Katniss' childhood best friend, Gale Hawthorne. Hemsworth, like Hutcherson, did an excellent job in balancing the different layers of Gale's personality - namely his love for Katniss and his ever-growing obsession with rebellion against President Snow and the Capitol. Woody Harrelson continued to knock it out of the ballpark as Katniss and Peeta's alcoholic mentor, Haymitch Abernathy. I think this is the first time moviegoers got a real look at Haymitch's hostility toward President Snow, especially in the scene which featured the announcement of past winners participating in the Quarter Quell. Harrelson portrayed that small moment with such intense anger. Donald Sutherland continued his brilliant portrayal of the brutal, yet manipulative politician, President Coriolanus Snow. 

Sutherland perfectly captured Snow's quiet machinations that could rival Palpatine from the STAR WARS franchise. Yet, the actor also did a subtle job in conveying Snow's growing paranoia over Katniss' popularity and growing role as a symbol of rebellion. I had greatly enjoyed Elizabeth Banks' performance as Effie Trinket in the first movie. I loved her performance in this film, as the actress allowed filmgoers a deeper look into the chaperone's persona, beyond her usual shallowness. I am also happy that Lenny Kravitz reprised the role of Cinna, Katniss and Peeta's stylist for the Games. As usual, the actor/musician gave a warm and beautiful performance as Katniss' emotional solace before the Games. One particular scene in which Cinna endured a brutal beating over a dress he had created for Katniss proved to be a very painful one to watch, thanks to Kravitz and Lawrence's performances, along with the other Lawrence's direction. Stanley Tucci was marvelous as ever in his continuing portrayal of Caesar Flickerman, the Games' announcer and commentator. Toby Jones reprised his role as Flickerman's fellow commentator, Claudius Templesmith. But his role had been reduced considerably.

The movie also featured some newcomers to the franchise. Philip Seymour Hoffman gave a sly and subtle performance as the Games' new Head Gamemaker, who schemes with President Snow to destroy Katniss' reputation and possibly, her life. Sam Claflin continued to surprise me at how charismatic he could be, in his engaging portrayal of Finnick Odair, one of the tributes from District 4, during the 75th Games. Jena Malone was a hoot as the outspoken and aggressive female tribute from District 7, Johanna Mason. The strip scene inside the elevator is one that I remember for years to come. I was surprised to see Jeffrey Wright appear in this film. He gave a subtle, yet intelligent performance as the male tribute for District 3, Beetee Latier. Wright also clicked very well with Amanda Plummer, whose performance as Latier's fellow District 3 tribute Wiress, struck me as deliciously off-center. Lynn Cohen nearly stole the show as Finnick's fellow tribute from District 4, Mags. I thought she did a pretty good job, although I am at a little loss over the fanfare regarding her performance.

Many seemed to regard "CATCHING FIRE" as superior to the original 2012. I cannot agree with this opinion. I am not saying that "CATCHING FIRE" is a disappointment or inferior to "THE HUNGER GAMES". But I certainly do not regard it as better. I would say that it is just as good. And considering my very high opinion of the first film, one could assume that my opinion of this second film is equally positive, thanks to an excellent screenplay written by Simon Beaufoy and Michael deBruyn, first rate direction from Francis Lawrence, and a superb cast led by Jennifer Lawrence and Josh Hutcherson.


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Friday, March 2, 2018

"THE HUNGER GAMES: CATCHING FIRE" (2013) Photo Gallery

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Below are images from "THE HUNGER GAME: CATCHING FIRE", the 2013 adaptation of Suzanne Collins' 2009 novel and sequel to the 2012 movie, "THE HUNGER GAME". Directed by Francis Lawrence, the movie stars Jennifer Lawrence and Josh Hutcherson: 


"THE HUNGER GAMES: CATCHING FIRE" (2013) Photo Gallery

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Thursday, September 28, 2017

"X-MEN: FIRST CLASS" (2011) Review




"X-MEN: FIRST CLASS" (2011) Review

Recently, I came across a comment that the last "X-MEN" movie, 2009's "X-MEN ORIGINS: WOLVERINE", had been a failure. I found this opinion surprising, considering that it actually made a profit at the box office. Failure or not, Marvel Studios decided to continue the movie franchise with a fifth entry called "X-MEN: FIRST CLASS"

Directed by Matthew Vaughn, "X-MEN: FIRST CLASS" is, like the 2009 movie, another origins tale. Only it traced the beginnings of the two friends-turned-adversaries, Charles "Professor X" Xavier and Erik "Magneto" Lensherr. The movie began in a scene straight out of 2000's "X-MEN" - at a concentration camp in 1944 Poland. While young Erik Lensherr was being separated from his parents by Nazi guards, he displayed an ability for magnetism manipulation by tearing at one of the camp's gates. This ability attracted the attention of the camp's scientist, Dr. Klaus Schmidt, who tried to coerce Erik into using his ability again by threatening his mother with death. Unfortunately, Erik failed and Dr. Schmidt killed Mrs. Lensherr. At an estate in Westchester, New York of the same year, young Charles Xavier awakened from a deep sleep by a noise from the kitchen. He investigated and found his mother searching for something to eat. However, being a telepath, Charles was able to discover that he was facing a stranger. The stranger turned out to be a young, blue-skinned shapeshifter named Raven "Mystique" Darkhölme. Charles invited the young stranger to stay at the Xavier mansion and the two became close friends.

"X-MEN: FIRST CLASS" jumped another eighteen years forward to 1962. Charles Xavier has become an instructor on genetics at Oxford University. Raven has remained his close companion in a sibling-like capacity. Erik Lensherr has spent the last decade or so, hunting down Nazis that escaped prosecution by the Allies - especially those who had served at the concentration camp where he had been imprisoned. He has especially become interested in finding and killing Dr. Schmidt out of revenge for his mother's death. The story shifted to Las Vegas, Nevada; where one Moira MacTaggart and other CIA agents are investigating the Hellfire Club, a social organization led by Sebastian Shaw (aka Dr. Schmidt). After infiltrating the club as an "escort", Moira discovered that Shaw and his mutant followers - Emma Frost, Azazel, and Riptide - are intimidating a high ranking Army officer into relocating military missiles to Turkey. Moira sought help from Charles and Raven to provide information to her CIA bosses about mutants. They also met Erik, during a trip to Miami to track down Shaw. After preventing Erik from drowning during an attempt to kill Shaw, Charles became close friends with the Holocaust survivor; as they work with Moira and the CIA to bring down Shaw.

Personally, I do not believe that "X-MEN ORIGINS: WOLVERINE" deserved its low reputation. I thought it was a pretty damn good movie - not perfect, but entertaining. However, I do believe I could say the same about "X-MEN: FIRST CLASS". I would add that it might be better than the 2009 film. Despite its flaws. In fact, "X-MEN: FIRST CLASS" turned out to be a cleverly written movie that managed to weave two historical events - the Holocaust and the Cuban Missile Crisis - into its plot. Director Matthew Vaughn did an excellent job in maintaining an even pace for a movie not only filled with exciting and occasionally exaggerated action sequences and dramatic scenes. But aside from the director, the movie's main virtue proved to be its first-rate cast.

Someone once pointed out that the X-MEN movie franchise did an excellent job of using the topic of "mutation" or psychic abilities to reflect upon the themes of bigotry and tolerance in our society. This theme became even more relevant, considering the movie's setting of 1962 - a period that reflected the height of the Civil Rights Movement. I can go further and commend screenwriters Ashley Edward Miller, Zack Stentz, Jane Goldman and Vaughn for daring to explore all aspects of the bigotry experienced and engaged by the characters.

Some of the movie's main characters experienced intolerance at the hands of others. Holocaust survivor Erik Lensherr not only suffered under the Nazi regime as a Jew, but also endured the U.S. government's (in the form of C.I.A. officials) wariness and contempt toward mutants, as did fellow mutants such as Charles Xavier, Raven Darkhölme, Hank McCoy and the group of young mutants they had recruited. C.I.A. officials Director McCone and William Stryker Sr. (father of the villain from the second and fourth movies) were ready to imprison Charles and Raven upon discovering their mutations. Fortunately, one C.I.A. man in particular - the nameless Man in Black - prevented this from happening. The script also focused upon the two mutants regarded as "odd men out" because their mutations were reflected physically. Raven's natural blue skin led her to maintain a "human" form that allowed her to blend with other humans and mutants. And C.I.A. scientist who constantly wore shoes to hide his mutation - animal-like feet. Their desperation to blend with the others on a regular basis led Hand to create a formula that eventually backfired. 

Finally, the movie also focused on those mutants that viewed their mutation as signs of their superiority over non-mutant humans. Characters such as villain Sebastian Shaw and his Hellfire Club followers, and eventually Erik and Raven allowed their dislike toward humans to manifest into a bigotry that encouraged them to engage in plots of genocide that made the Nazis, North Americans of the 18th and 19th centuries and other bigoted societies look like amateurs. One such plot served as the background of "X-MEN: FIRST CLASS". The movie revolved around Sebastian Shaw's efforts to use his connections to the U.S. and Soviet military to start a third world war between the superpowers. Such a war would bring humanity to the brink of extinction, allowing mutants (with Shaw as the leader) to dominate the world. This plot eventually resulted in the Cuban Missile Crisis.

The producers of "X-MEN: FIRST CLASS" chose the right actors to portray the younger versions of Charles Xavier and Erik Lensherr. James McAvoy perfectly captured all of Charles' intelligence, talent for leadership and subtle wit. He also delved deeper into the character's idealism and occasional naivety. And McAvoy gave audiences an audacious peek into Charles' penchant for little seduction with pick-up lines that were both charming and wince-inducing. Michael Fassbender portrayed all of the intensity and anger of the vengeance-seeking Erik Lensherr. Every once in a while, an actor comes along with the ability to perfectly walk the fine line between heroism and villainy. Fassbender certainly achieved this in his portrayal of Erik. And looking at the screen chemistry between McAvoy and Fassbender, it seemed a pity that they had never shared a scene when they appeared in the 2001 miniseries, "BAND OF BROTHERS". Because they were dynamite together.

The supporting cast also proved to be top-notch. The X-MEN movieverse has always provided first-rate villains. Kevin Bacon's portrayal of the villainous Sebastian Shaw/Dr. Schmidt was no exception. If I must be honest, his Shaw may prove to be my favorite "X-MEN" villain. Aside from intelligence, wit and a taste for grandiose plotting and gadgets that rivaled a Bond villain, Bacon injected a joie de vivre into Shaw's character that I found very entertaining. Some critics and fans have criticized January Jones' portrayal of Shaw's consort, Emma Frost, accusing her of being "wooden". I am sorry, but I do not agree with this opinion. Yes, Jones portrayed Emma as Miss 'Cool Hand Luke'. But she also did a first rate job of conveying the character's strong attraction to Shaw and dislike of his occasional sexist attitudes. And thanks to her subtle comic timing, she provided the movie's funniest moment in a scene that featured Emma having 'telepathic' sex with a Soviet general. Her reaction to being caught had me laughing in the aisle. Instead of Rebecca Romijn, the film's producers chose Jennifer Lawrence to portray the younger Raven Darkhölme aka Mystique. And I thought she did a pretty damn good job. I have nothing against Romijn's portrayal of Mystique, but I believe that Lawrence was given a better opportunity for a deeper exploration of the character . . . and she made the best of it. The movie also featured fine support from the likes of Rose Byrne as C.I.A. agent and ally Moira MacTaggart, Nicholas Hoult as the young Hank McCoy, Jason Flemyng as the frightening teleporter Azazel, Oliver Platt as the C.I.A. 'Man in Black', and Zoë Kravitz's subtle and passionate performance as mutant Angel Salvadore.

As I had earlier hinted, "X-MEN: FIRST CLASS" is not perfect. I believe it has two major flaws that prevented it from potentially becoming the best film in the franchise. The movie's biggest flaw proved to be its lack of continuity with the other four films. "X-MEN: FIRST CLASS" included the beginning of Charles Xavier's paralysis and the end of his partnership with Erik Lensherr. Yet, Charles was still walking and working with Erik in a flashback set around the beginning of the 1980s in 2006's "X-MEN: THE LAST STAND". I am aware that Raven's cells allowed her to mature very slowly. But did the same happen to Dr. Hank McCoy? He was in his early-to-mid 20s in "X-MEN: FIRST CLASS". Yet, he looked somewhere in his 40s in the third "X-MEN", which was set some 40 years later. And the Emma Frost portrayed by actress Tahyna Tozzi in "X-MEN ORIGINS: WOLVERINE" looked at least five to ten years younger than January Jones' Emma in this latest film. And "X-MEN: FIRST CLASS" is supposed to be set 17 years before the 2009 film. Charles began his school for young mutants in this movie. However, he told Wolverine in 2000's "X-MEN" that Scott "Cyclops" Summers and Jean Grey were his first students. They are no where to be seen and quite frankly, I could have done without this early edition of the Xavier School of Mutants. I found it annoying. 

Another major problem proved to be the film's costumes - especially for women. The movie is set mainly in 1962. Yet, Sammy Sheldon's costumes reflected the late 1960s, not the early years of that decade. Just to prove my point, look at the following photographs:

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January Jones in "MAD MEN" Season Two (set in 1962)




January Jones in "X-MEN: FIRST CLASS" (set in 1962)



In fact, the costumes and hairstyles for other female characters DO NOT reflect the year 1962, as well:

 

Both actresses Rose Byrne and Zoë Kravitz are wearing knee-high boots, which WERE NOT in fashion in 1962.

Yes, "X-MEN: FIRST-CLASS" had some major flaws. But I cannot deny that I still managed to enjoy the movie very much. Screenwriters Ashley Edward Miller, Zack Stentz, Jane Goldman and Matthew Vaughn wrote a flawed, but very entertaining and epic story. The movie also boasted first-rate performances from a cast led by James McAvoy and Michael Fassbender. And Vaughn brought all of these factors together with some fine direction. "X-MEN: FIRST CLASS" has made me an even bigger fan of the franchise and I would heartily recommend it for anyone's viewing pleasure.

Sunday, August 13, 2017

"X-MEN: FIRST CLASS" (2011) Photo Gallery



Below are images from "X-MEN: FIRST CLASS", the fifth entry in the "X-MEN" movie franchise. Directed by Matthew Vaughn, the movie stars James McAvoy, Michael Fassbender, Kevin Bacon and January Jones: 


"X-MEN: FIRST CLASS" (2011) Photo Gallery