Showing posts with label jesse plemons. Show all posts
Showing posts with label jesse plemons. Show all posts

Friday, February 14, 2020

"BATTLESHIP" (2012) Review





"BATTLESHIP" (2012) Review

Several years ago, the toy company Hasbro made a deal with Universal Pictures to produce and release a series of movies based upon their games and toys. The first movie to emerge from this deal turned out to be the 2009 movie, "G.I. JOE" THE RISE OF COBRA". Recently, another movie emerged from this deal, namely an alien invasion tale called "BATTLESHIP".

Named after the popular board game, "BATTLESHIP" told the story of a fleet of U.S. and Japan Navy ships forced to do battle with an advanced group of invading aliens. The story began in 2005, when NASA discovers an extrasolar planet with conditions similar to Earth. The space agency transmits a powerful signal from a communications array in Hawaii. Also, an undisciplined slacker named Alex Hopper tries to impress a woman by getting her a chicken burrito by breaking into a convenience store. The woman in question is Samantha Shane, the daughter of the U.S. Navy Pacific Fleet commander Admiral Terrance Shane, who is the superior of Commander Stone Hopper, Alex's older brother. After Alex is arrested, an infuriated Stone forces Alex to join the Navy.

Seven years later, Alex is a lieutenant and the Tactical Action Officer aboard the destroyer, U.S.S. John Paul Jones, while Stone is the commanding officer of U.S.S. Sampson. Alex is still dating Samantha and wants to marry her, but is afraid to ask her father for permission. During the opening ceremony for the RIMPAC naval exercises, Alex clashes with Japanese officer Captain Nagata. This incident proves to be the latest in a string of incidents that could result in the end of his Navy career. Meanwhile, Samantha, who is a physical therapist, accompanies retired Army veteran and amputee Mick Canales on a hike to help him adapt to his prosthetic legs. However, the arrival of five alien ships places Alex and Samantha's problems on the back burner, when the U.S. Navy and forces from the Pacific Rim nations to deal with the alien invading force, after it places a force field around the Hawaiian Islands.

When I first saw the trailer for "BATTLESHIP", I found myself wondering if Universal Pictures and Hasbro came up with the idea of a movie about the U.S. Navy battling aliens, from the naval warfare service. And I found myself wondering if the Navy wanted their own alien invasion movie, following the success of 2011's "BATTLE: LOS ANGELES", which was about U.S. Marines fighting aliens. However, production for "BATTLESHIP" began some two years before its release; so I nixed that idea. Whoever came up with the idea for "BATTLESHIP" . . . I wish that he or she never had in the first place.

There were aspects of "BATTLESHIP" that I liked. I thought it had a solid cast. Taylor Kitsch was very effective as Alex Hopper, who developed from an undisciplined slacker to a responsible and resourceful naval officer. He also had good chemistry with singer Rihanna, who portrayed a weapons specialist under Hopper's command; and Alexander Skarsgård, who portrayed Alex's uber disciplined older brother, Stone. But I was especially impressed with Kitsch's strong chemistry with Tadanobu Asano, who portrayed Japanese naval officer, Captain Nagata. Both Kitsch and Asano did a great job in developing the relationship between the two men. I was also impressed by Tobias A. Schliessler's breathtaking photography of the Hawaiian Islands and the nearby Pacific Ocean. And I was also impressed by the visual effects team led by Akemi Abe. Although I found the aliens themselves a little too mechanical, I must admit that visually, they were effectively frightening.

But when all has been said and done in the end, I must admit that I did not like "BATTLESHIP". Not one damn bit. Well . . . at least most of it. I feel that it was one of the most over-the-top action movies I have ever seen. Even worse, I got the feeling that Peter Berg, who has proven to be a solid director in the past, was trying to channel Michael Bay and the latter's TRANSFORMER movies. And it just did not work. It is bad enough that I am not a fan of the TRANSFORMER franchise. For me, it is like watching a science-fiction version of the TWILIGHT films. But that a decent director like Berg felt he had to lower himself to that level . . . dear God! Why? What director in his or her right mind want to become a second-rate Michael Bay?

So . . . what was it about "BATTLESHIP" that I disliked? After watching this film, I realized that a movie about an alien invasion set aboard naval ships is not very effective. The aliens in this movie limited themselves to naval ships and a communication array in the hills above Honolulu, Hawaii. Very limiting. And how on earth did a character like Alex Hopper last seven years in the U.S. Navy? Apparently, seven years of military service had done nothing to curb his undisciplined personality. It took an alien invasion to get him in line. Really? Give me a break. I bet that a character like Alex would not even last during officer training school, let alone seven years in the Navy. How on earth did a guy who had been arrested for breaking into a convenience store ended up as a naval officer in the first place? Guys like Alex would have ended up as an enlisted man. And yes, I found some of the performances rather mediocre - especially from the inexperienced Gregory Gadson, who was a former U.S. Army Colonel amputee; and actor Jesse Plemons, who came off as a second-rate Matt Damon "the early years".  And Liam Neeson proved to be wasted in this film, due to his appearances in the movie's first 30 minutes and last 10 minutes. But what proved to be the last straw for me was the initial encounter between the survivors of the destroyed U.S.S. John Paul Jones and a group of World War II veterans aboard the museum ship U.S.S. Missouri. This scene was so ridiculous that it took me at least five minutes to stop rolling my eyes in disgust.

I wish I could say that I liked "BATTLESHIP". But I would be lying through my teeth. It had certain aspects that I found . . . admirable, including a strong screen chemistry between leading man Taylor Kitsch and Tadanobu Asano. In the end, "BATTLESHIP" made director Peter Berg seem like a second-rate Michael Bay. And you know what? That is not good for a solid director like Berg.




Thursday, November 28, 2019

"BATTLESHIP" (2012) Photo Gallery


Below are images from "BATTLESHIP", the 2012 alien invasion movie. Directed by Peter Berg, the movie starred Taylor Kitsch, Tadanobu Asano, and Rihanna:



"BATTLESHIP" (2012) Photo Gallery





































Thursday, May 18, 2017

"THE MASTER" (2012) Review

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"THE MASTER" (2012) Review

Paul Thomas Anderson seemed to be one of those filmmakers who embody what critics would categorize as a modern day "auteurist" that release a movie every few years to dazzle moviegoers and critics with his or her personal creative vision. During his sixteen years as a director and filmmaker, he has made four short films and six feature movies. One of the six feature films is his latest, "THE MASTER"

Believed by many to be an exposé on Scientology, "THE MASTER" tells of the story of a World War II Navy veteran named Freddie Quell, who struggles to adjust to a post-war society. Freddie uses sex and alcohol to escape his personal demons. But when his drinking and violent behavior leads him to lose jobs as a department store photographer and a field worker on a cabbage farm, Freddie ends up in San Francisco, where he stows aboard a yacht that belongs to one Lancaster Dodd, a leader of a philosophical movement known as "The Cause". Dodd sees something in Quell and accepts him into the movement. But Freddie's drunken and violent behavior fails to abate and Dodd's wife, daughter and son-in-law begin to express doubt that the latter can help the World War II veteran.

What can I say about "THE MASTER"? Did it turn out to be the exposé on Scientology that many believed it would become? Not really. Despite its title, "THE MASTER" seemed to be more about Freddie Quell than Lancaster Dodd and "the Cause". The movie did feature practices that are believed to be similar to those practiced by members of Scientology. But the movie's deeper focus on Freddie's personal demons has led me to believe that the Church of Scientology has nothing to fear. In the end, "THE MASTER" seemed to be more of a character study of the very disturbed Freddie Quell, along with a secondary study of Lancaster Dodd . . . and their friendship. And Paul Thomas Anderson revealed these two character studies in a movie with a running time of 143 minutes.

There were aspects of "THE MASTER" I found very admirable. The movie featured outstanding performances from Joaquin Phoenix, who gave a volatile portrayal of the disturbing Freddie Quell. I was also impressed by Philip Seymour Hoffman's portrayal of the charismatic Lancaster Dodd. His performance not only hinted in subtle ways, his understanding of Freddie's demons, but the possibility that he once possessed similar demons. And Amy Adams was memorable as Peggy Dodd, Lancaster's second or third wife, who not only seemed more dedicated to "the Cause" than her husband; but also seemed to understand both him and Freddie with a frankness the two men seemed unwilling to face. The movie also featured solid performances from Laura Dern, who portrayed a hardcore devotee to Dodd; Rami Malek, Dodd's quiet and unassuming son-in-law who assumes a dislike of Freddie; Ambyr Childers, Dodd's daughter, who hides a lusty attraction to Freddie; Jesse Plemons, who portrays Dodd's disenchanted son; Madisen Beaty, who portrays Freddie's love of his life; and Kevin J. O'Connor, a devotee of "the Cause" who is not impressed by Dodd's writing.

I was also impressed by the movie's production designs. David Frank and Jack Fisk did an excellent job in re-creating America during the post-World War II era and the beginning of the 1950s. Mark Bridges' costumes were tasteful and at the same time, projected an accuracy of the era. And cinematographer Mihai Malaimare Jr. captured Anderson's direction and the movie's setting with some impressive photography.

So, did I enjoy "THE MASTER"? No. In fact, I dislike the movie . . . intensely. There is nothing more boring than a 143 minute character study, in which the main character does not evolve or devolve. Freddie Quell never changes. Perhaps this was the lesson that Anderson was trying to convey. But honestly, he could have done this with more solid writing, a shorter running time and with less pretentiousness. And I have never seen a movie with so much pretentiousness since Joe Wright's movie, "HANNA". While watching an early scene that featured Freddie dry humping a nude woman made from sand on a beach, I began to suspect that my patience might be tested with this film. I had no idea my patience would eventually slipped into sheer boredom. One cannot image the relief I felt when the movie finally ended. 

I realize that "THE MASTER" has received a great deal of acclaim from critics and some moviegoers. But I simply failed to see the magic. When the movie managed to acquire a great deal of nominations during the 2012-2013 awards season I was not be one of those rooting the movie for critical glory. I disliked it too much. After nearly five years, I still do.

Tuesday, April 18, 2017

"THE MASTER" (2012) Photo Gallery

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Below are images from "THE MASTER", Paul Thomas Anderson's 2012 movie, which starred Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams: 


"THE MASTER" (2012) Photo Gallery

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