Showing posts with label rory kinnear. Show all posts
Showing posts with label rory kinnear. Show all posts

Wednesday, August 23, 2017

"THE IMITATION GAME" (2014) Review




"THE IMITATION GAME" (2014) Review

One of the more critically acclaimed movies to hit the movie screens in 2014 was "THE IMITATION GAME", a loose adaptation of the 1983 biography, "Alan Turing: The Enigma". The movie focused upon the efforts of British cryptanalyst, Alan Turing, who decrypted German intelligence codes for the British government during World War II. 

I never saw "THE IMITATION GAME" while it was in the theaters during the winter of 2014-2015. After seeing it on DVD, I regret ever ignoring it in the first place. Then again, I was ignoring a good number of films during that year. I have been aware of two previous movies about the United Kingdom's Government Code and Cypher School at Bletchley Park during World War II. But "THE IMITATION GAME" came closer to historical accuracy than the other two films. Is it completely accurate? No. There were a good deal of the usual complaints from historians and academics about the film's historical accuracy. But you know what? Unless I find such inaccuracy too ridiculous to swallow or it failed to serve the story, I honestly do not care.

I do have a complaint or two about "THE IMITATION GAME". The movie began with Turing being arrested by the police, because the arresting officer in question thought he was a Soviet spy. I found it odd that this Detective Nock had decided to question Turing on his own, instead of reporting the latter to MI-6. More bizarre is the fact that during interrogation, Turing told the police detective about his work, which should have been classified. 

And during my first viewing of "THE IMITATION GAME", I had assumed the film would be more about Turing's homosexuality than his role in breaking the Germans' Enigma code. After all, the movie began in 1951, when Turing was arrested for suspicion of espionage (due to his lack of a war record) and eventually charged for practicing homosexuality. But the movie focused a lot more on his work at Bletchley Park. His homosexuality did have some impact on the movie's narrative - Turing's memories of his schoolboy friendship with a boy named Christopher Morcom and his fears of his homosexuality being discovered. But the screenplay failed to explore the one potentially powerful aspect of his homosexuality in the story - namely his 1951 arrest and the chemical castration he underwent to avoid prison. Instead, the event was merely used as an epilogue for the movie and I found that rather disappointing.

Otherwise, I enjoyed "THE IMITATION GAME" very much. Screenwriter Graham Moore created an otherwise powerful look at Turing and his work at Bletchley Park. Moore took great care to explore the cryptanalyst's complex personality and its affect upon Turing's colleagues and his friend, Joan Clarke. I especially enjoyed Turing's friendship with Clarke and how she eventually helped him bond somewhat closer with his exasperated colleagues. Moore's screenplay also did an excellent job of exploring Turing's work at Bletchley Park in great detail. This exploration revealed something that took me completely by surprise - namely his creation of an electromechanical machine that helped break the Enigma code. Due to his work on this machine, Turing has become known as the father of theoretical computer science and artificial intelligence. Moore ended up winning a much deserved Best Adapted Screenplay for his work.

But not even a first-rate screenplay can guarantee a winning film. Fortunately for Graham Moore, Morten Tyldum signed up as the film's director. Who is Morten Tyldum? He is a Norwegian director who is highly acclaimed in his native country. And I thought he did a great job in transferring Moore's screenplay to the movie screen. It could have been easy for a movie like "THE IMITATION GAME", which featured a great deal of dialogue and hardly any action, to put me to sleep. Thankfully, Tyldum's direction was so well-paced and lively that he managed to maintain my attention to the very last reel. And I thought he juggled the occasional flashbacks to Turing's schooldays and the 1951 scenes featuring the latter's encounter with police Detective Nook with the World War II sequences very competently.

"THE IMITATION GAME" was also blessed with a first-rate cast. Benedict Cumberbatch earned a well-deserved Oscar nomination for his portrayal of the complex and brilliant Alan Turing. I really do not know what else to say about Cumberbatch's performance other than marvel at how he made a superficially unlikable character seem very likable and more importantly, vulnerable. Keira Knightly earned her second Academy Award for portraying Joan Clarke, Turing's closest friend and a brilliant cryptanalyst in her own right. One of Clarke's relatives complained that Knightley was too good looking to be portraying the rather plain Clarke. It seemed a pity that this person was more concerned with the actress' looks than her excellent and fierce portrayal of the intelligent Clarke, who proved to be a loyal friend of Turing's and at the same time, refused to put up with some of his flaky behavior toward her. 

The supporting cast included the likes of Matthew Goode, who gave a sharp and witty performance as cryptanalyst and analyst Hugh Alexander and Charles Dance as Commander Alastair Denniston, the the no-nonsense and unoriginal head of the codebreakers. It also featured solid performances from Allan Leech as John Cairncross, the soft-spoken codebreaker who proved to be a mole for the KGB; Rory Kinnear as Detective Nock, the inquisitive police inspector who learned about Turing's war activities; and Mark Strong, who gave a very cool performance as Stewart Menzies, head of MI-6 between 1939 and 1952.

Yes, "THE IMITATION GAME" had its flaws. I feel that the film's flaws came from the 1951 sequences in which Alan Turing found himself arrested by the police. Otherwise, I really enjoyed screenwriter Graham Moore and director Morten Tyldum look into the life of the famous cryptanalyst. I also have to give credit to a cast led by a brilliant Benedict Cumberbatch and Keira Knightley for making this film not only enjoyable, but also fascinating.

Tuesday, July 11, 2017

"THE IMITATION GAME" (2014) Photo Gallery

kinopoisk.ru-The-Imitation-Game-2491880

Below are images from "THE IMITATION GAME", the 2014 adaptation of Andrew Hodges' book, "Alan Turing: The Enigma". Directed by Morten Tyldum, the movie starred Benedict Cumberbatch and Keira Knightley: 


"THE IMITATION GAME" (2014) Photo Gallery

ae831254-6b61-11e4-_803498b


kinopoisk.ru-The-Imitation-Game-2417681


kinopoisk.ru-The-Imitation-Game-2417682


kinopoisk.ru-The-Imitation-Game-2481409


kinopoisk.ru-The-Imitation-Game-2481410


kinopoisk.ru-The-Imitation-Game-2491881


kinopoisk.ru-The-Imitation-Game-2495760


kinopoisk.ru-The-Imitation-Game-2505706


kinopoisk.ru-The-Imitation-Game-2505709


kinopoisk.ru-The-Imitation-Game-2505713


kinopoisk.ru-The-Imitation-Game-2506257


kinopoisk.ru-The-Imitation-Game-2506262


kinopoisk.ru-The-Imitation-Game-2517444


kinopoisk.ru-The-Imitation-Game-2522869


kinopoisk.ru-The-Imitation-Game-2522871


kinopoisk.ru-The-Imitation-Game-2522875


kinopoisk.ru-The-Imitation-Game-2532034


kinopoisk.ru-The-Imitation-Game-2532833


tumblr_ng7urfSMBK1t1j5fgo1_500

Sunday, May 1, 2016

"RETURN TO CRANFORD" (2009) Review

Return_to_Cranford


"RETURN TO CRANFORD" (2009) Review

Due to the success of the 2007 miniseries, "CRANFORD", the BBC aired a two-part sequel called "RETURN TO CRANFORD"(also known as the "CRANFORD CHRISTMAS SPECIAL"), some two years later. Like the original miniseries, it was adapted by Heidi Thomas and directed by Simon Curtis. 

"RETURN TO CRANFORD" was based on material from Elizabeth Gaskell’s two novellas and a short story - "Cranford""The Mooreland Cottage", and "The Cage at Cranford", were all published between 1849 and 1863. Also, themes from "My Lady Ludlow""Mr. Harrison's Confessions", and "The Last Generation in England" were included to provide continuity with the first miniseries. The new miniseries took place between August and December 1844. The citizens of Cranford find themselves facing major changes in their society, as the railroad continues to be constructed near the edge of town. In fact, I was surprised to learn that a great deal of the story surrounding the new railroad was not in any of Gaskell’s novellas and short story. Only the storylines featuring about Mrs. Jameson’s (Barbara Flynn) cousin, Lady Glenmire (Celia Imrie) and Captain Brown (Jim Carter), Miss Pole’s (Imelda Staunton) Parisian “cage” for her pet cockatoo, and a magician named Signor Brunoni (Tim Curry) putting on a show came from Gaskell’s works. 

I have to be frank. It did not bother me that most of the material featured in the miniseries did not come from any of Gaskell’s novellas and short stories. Thanks to some decent writing by Heidi Thomas, I believe that it all worked out fine. Unlike the 2007 miniseries, "CRANFORD", the screenplay for "RETURN TO CRANFORD" seemed tighter and more focused. In fact, I noticed that the majority of major storylines featured in the miniseries have ties to the main story about the railroad’s construction. Because of this, "RETURN TO CRANFORD" avoided the episodic style of storytelling that I believe marred "CRANFORD". My favorite storyline featured the budding romance between two newcomers to the town of Cranford – William Buxton (Tom Hiddleston), the Eton-educated son of a salt baron (Jonathan Pryce) and Peggy Bell (Jodie Whittaker), the daughter of a less-affluent widow (Lesley Sharp). Mr. Buxton wants William to marry his ward, the Brussels-educated Erminia (Michelle Dockery). But neither are interested in each other. And Peggy has to deal with her ambitious and greedy brother, Edward (Matthew McNulty), who dislikes William. What I liked best about "RETURN TO CRANFORD" was that most of the storylines were tied to the new rail line being constructed near Cranford - even the William/Peggy romance.

As much as I hate to admit it, "RETURN TO CRANFORD" had its problems. Another storyline featured the problematic pregnancy suffered by Miss Matty’s maid, Martha Hearne (Claudie Blakley). The problem arose, due to the lack of doctors in Cranford. And I found this confusing. The 2007 miniseries ended with two doctors residing in the town – the recently married Dr. Frank Harrison and longtime resident Dr. Morgan. A year later, both no longer resided in Cranford and Heidi Thomas’ script never revealed their whereabouts or fate. Thomas’ real misstep featured the death of Lady Ludlow (Francesca Annis) and the arrival of her ne’er-do-well son, Septimus (Rory Kinnear). The latter’s attempt to cheat young Harry Gregson (Alex Etel) out of the money he had inherited from the late Mr. Carter was a poorly conceived and written storyline. And despite the built-up, it failed to have any real impact upon the Harry Gregson character, due to its vague ending. As much as I found Signor Brunoni’s Christmas show rather charming, I thought it also reeked of a sentimentality that made my teeth hurt. Especially when Miss Matty’s reunion with Jem Hearne (Andrew Buchan) and his daughter entered the picture.

The production design for "RETURN TO CRANFORD" was top notch as ever. And Alison Beard’s supervision of the costumes proved to be just as first-rate as Jenny Beavan’s work in the 2007 miniseries. The cast continued its first-rate work from the previous miniseries – especially Judi Dench as Miss Matty Jenkyns, Imelda Staunton as town gossip Octavia Poole, Francesca Annis as the aristocratic Lady Ludlow, Emma Fielding as her assistant Laurentia Galindo, Alex Etel as Harry Gregson, Julia McKenzie as Mrs. Forrester, Jim Carter as Mr. Brown, Alex Jennings as the Reverend Hutton and Barbara Flynn as the pretentious Mrs. Jamieson. But the newcomers that impressed were Tom Huddleston as William Buxton, Jonathan Pryce as the tyrannical Mr. Buxton, Jodie Whittaker as Peggy Bell, Celia Imrie as the earthy Lady Glemire and Tim Curry as the warm-hearted magician Signor Brunoni.

For a while, I had been reluctant to watch "RETURN TO CRANFORD". Because it was a sequel to the 2007 miniseries, I figured that it could never be as good as "CRANFORD". I was wrong. I do not know if I would consider it better than the first miniseries. But the latter is certainly not better than the sequel. And ”RETURN TO CRANFORD” does have one major advantage . . . namely Heidi Thomas’ screenplay turned out to be more tightly written, due to her decision not to use much of Elizabeth Gaskell’s material. Personally, I find that rather ironic.

Saturday, April 2, 2016

"RETURN TO CRANFORD" (2009) Photo Gallery



Below are images from "RETURN TO CRANFORD", the 2009 sequel to the 2007 miniseries, "CRANFORD". Judi Dench starred in this two-part series: 


"RETURN TO CRANFORD" (2009) Photo Gallery