"CHARMED" RETROSPECT: (1.12) "The Wendigo"

"CHARMED" RETROSPECT: (1.12) "The Wendigo"

I really do not know what to say about the "CHARMED" Season One episode, (1.12) "The Wendigo". You know what? Of course I do. After all, it is one of my favorite episodes from that first season. In fact, it is one of my top twenty (20) "CHARMED" episodes of all time. 

"The Wendigo" began with one Piper Halliwell stranded at a local San Francisco park, thanks to a flat tire. The episode immediately kicked into high gear when a supernatural beast attacked her. The beast managed to inflict a deep scratch on her arm before a savior arrived in the form of a young man, who used a flare gun to scare off the beast. While being treated at the hospital for her scratch, Piper and her two sisters – Prue and Phoebe – learned that Prue’s old flame, Inspector Andy Trudeau of the San Francisco Police Department, had been in contact with an FBI agent named Ashley Fallon, due to previous attacks by the beast in the city. The three sisters also discovered that Piper’s savior, Billy Waters, had a previous encounter with the beast that left his fiancée dead, in Chicago. Ever since his fiancée’s death, Billy and FBI Agent Fallon have been tracking the beast. It was Piper who learned from the family’s Book of Shadows that the beast is called a Wendigo, a werewolf/Sasquatch hybrid that hunts victims during the three days of the full moon in order to eat their hearts. Because of her scratch, Piper ended up in danger of also becoming a Wendigo.

Written by Edithe Swensen and directed by James Conway, ”The Wendigo” had its flaws, despite my feelings about it. The majority of those flaws stemmed from moments of bad acting and a problem with the script. The only problem I had with the script centered on FBI Agent Fallon’s failure to work with agents from the local FBI office in San Francisco. I realize that the local law enforcement would have been drawn into the case, once the attacks in San Francisco began. But it never made sense to me that Fallon, an agent from another regional office, would be the only one from her agency working on the case in San Francisco and not an agent from the local FBI office.

"The Wendigo" also featured a subplot in which Phoebe manages to wangle a job at Bucklands as Prue's assistant. While handling a bracelet to be sold at auction, Phoebe has flashes of a car accident. She discovered that the car in her vision had belonged to a private detective who was conveying a five year-old girl that had been kidnapped by her father. The subplot ended with Phoebe and Prue delivering the now eleven or twelve year-old girl to her mother. The subplot struck me as short, emotional and yet somewhat meaningless. Mere fodder to pad the episode.

As for the acting, there are three moments I found . . . questionable. One involved Piper’s gradual transformation into the Wendigo. Perhaps Holly Marie Combs had been instructed by director James Conway to portray this as a comedy scene. Unfortunately, Combs did not come off as funny to me. Her timing seemed off. Nor did she seem ominous. Just awkward. Another moment featured Jocelyn Seagrave’s performance in a scene in which her Special Agent Fallon had described a past heartbreak over being rejected by a former love. No offense to Miss Seagrave, but she did come off as slightly theatrical. The last scene featured Prue and Phoebe confronting the original Wendigo and Piper, who had finally transformed into the beast. After Phoebe fired a flare gun at Wendigo Piper, the latter froze the flare and the original Wendigo. While Prue and Piper debated over who was the real Wendigo, the actor or actress (it could have been Holly Marie Combs) inside the Wendigo Piper suit stood in one spot with hands in attack position, stood in one spot and wore an idiotic expression that seemed to say "what do I do next?". It was a rather stupid moment.

But despite these minor quibbles, I genuinely enjoyed ”The Wendigo”. It was an entertaining monster-of-the-week episode that featured a first-rate performance by Holly Marie Combs as the anxiety-ridden Piper who feared she was turning into a monster. Although both Shannen Doherty and Alyssa Milano gave fine support, I was especially impressed by T.W. King, whose Andy Trudeau seemed suitably torn over his broken romance with Prue and his attraction to Special Agent Fallon. Despite my complaint over Jocelyn Seagrave’s reading over one particular scene, I must admit that she did a stand-out job of portraying a credible Federal agent and had a strong screen chemistry with King. I also have to commend actor Billy Jayne for giving a strong and charismatic performance as Piper’s savior, Billy Waters.

Thanks to director James L. Conway, ”The Wendigo” was not only entertaining, but well-paced. And despite the missing presence of local FBI agents in San Francisco and the subplot, I have to admit that Edithe Swensen wrote a lively and solid episode with plenty of horror and suspense. Swensen was also sensible enough not to reveal the human identity of the Wendigo, until two-thirds into the episode.

Watching ”The Wendigo” reminded me of how entertaining ”CHARMED” could be during its early seasons. Before the writing in the series began to decline at a serious rate. Before the dark times. With the entire series now on DVD and airing as reruns on TNT, fans have a constant reminder of its glory days . . . including episodes like ”The Wendigo”.

"Phoebe Halliwell and the Nexus Theory"

"PHOEBE HALLIWELL AND THE NEXUS THEORY"

Recently, I watched the ”CHARMED” Season One episode called (1.15) "Is There a Woogy in the House?". In this episode, Phoebe Halliwell’s childhood fear of a boogeyman in the basement called the ”Woogeyman” proves to be true and it ends up taking possession of her and a few others – including her sister Prue’s ex-boyfriend, Andy Trudeau. Following this experience with the Woogeyman, Phoebe came to a conclusion regarding her moral compass. 

The episode began with an aftershock from a previous earthquake. The aftershock not only revealed Phoebe's childhood fear of something called the "Woogyman", it has an ongoing source of amusement for her two sisters. That is, until a violent earthquake unleashes a long-dormant shadow demon on the day Prue has plans to hold a dinner party for her boss and a Bucklands’ customer. The latter first takes possession of a repairman, summoned to investigate a strange odor from the manor’s basement. After Prue and Piper leave the manor, the Woogeyman uses the repairman to summon Phoebe to the basement and she also becomes possessed. Phoebe’s strange behavior not only manages to ruin the dinner party, she also summons the Buckland’s client – a Professor Whittlesbey, who knows a good deal about the manor’s history – to the basement and the Woogeyman. Professor Whittlesbey becomes possessed. After Prue and Piper find themselves locked out of the manor by Phoebe, the two set out to discover what Professor Whittlesbey was hinting about the manor, when the dinner party first began. Unfortunately, the possessed professor ends up being arrested after she had physically attacked her assistant, Josh. Prue and Piper learn more details about the Halliwell manor from Josh:

Josh: You know, I’ve met people like that. (He looks at Piper.) A spiritual nexus is a point of incredible energy.

Prue: Equidistant from the five spiritual elements.

Josh: That’s right. The place or thing that could be swayed either way.

Piper: Either way?

Josh: Yeah. Either to be a source of undeniable good or undeniable evil. Uh, look ladies, I’m gonna follow her and make sure she’s okay. Feel free to browse around our office if you think it will help.

In other words, Prue and Piper came to some conclusion that because the manor was situated in the center of this Nexus – shaped as pentagram – it was the source of great power that can be a source of good or evil. Once Phoebe managed to banish the Woogeyman, she came to a conclusion about the Nexus and her moral compass:

Phoebe: I’m beginning to wonder if I have a good one [dark side]. (Prue and Piper stare at her.) Well, I am. I mean, up until now, I didn't even think I had a dark side. I mean, not any more so than anyone else.

Prue: Yeah, well the important thing is the good side won out.

Phoebe: Yeah, but I must have been more susceptible than either one of you, otherwise he wouldn’t of chosen me, right? Right?

Piper: You were the only one that was born in the house, that makes you more connected to it. That spiritual nexus thing.

Phoebe: That’s exactly my point. I could go either way. Good or evil. Kinda freaky.

What in the hell was Constance Burge thinking? What on earth made her think that someone would be stupid enough to buy such a theory straight out of Sunday school for eight year-olds? Phoebe could easily turn good or evil, because she was born above the Nexus? That was Burge's idea of characterization?

It was bad enough that Prue got the elements mentioned in the episode wrong:

Prue: Okay, to find a way back in, we have to know what we’re up against. The professor said that a true spiritual nexus sits equidistant from the five basal elements. So, that’s earth, fire, water, wood and metal.

Then she added:

Prue: Looks like it’s not just on a spiritual nexus, but a wiccan one as well. Which means it’s a battleground for good and evil.

The spiritual nexus beneath the manor was definitely not a Wiccan one. Wiccans are associated with the following five elements -earth, fire, water, air and spirit. The five elements mentioned by Prue in the episode are the following - earth, fire, water, wood and metal. These elements are associated with Chinese philosophy, not Wiccans.

But it got worse. At least for me. By the end of the episode, Phoebe claimed that because she was born in the manor (in other words, above the manor), she was more susceptible to being possessed by the Woogeyman than her sisters. What . . . a . . . load . . . of . . . crap! If for this reason Phoebe was more susceptible toward evil, then one might as well say the same about the others that ended up possessed by the Woogeyman – the repairman, Professor Whittlesey, one of the Halliwell neighbors . . . and Andy Trudeau. And I am certain that not one of them was born inside the manor. If Piper or Prue had been inside that manor alone instead of Phoebe, the Woogeyman could have easily possessed either of them.

Why do I find this Nexus Theory about Phoebe hard to swallow? It does not make any sense to me. This is not good characterization. I do not even know what to call it. Phoebe was more prone to evil . . . and therefore more prone to be possessed by the Woogeyman? Had it ever occurred to Constance Burge or the episode’s writers, Chris Levinson and Zack Estrin, that Phoebe ended up possessed, because she had the bad luck to be in the manor alone with the repairman?

First of all, the series has managed to prove that all four sisters had personality quirks that made them easily prone to evil. Prue’s anger, pride and arrogance made her very susceptible to evil. Probably more so than the other three sisters, due to her anger issues. Piper's inability to deal with loss and her selfishness made her easily susceptible to evil. Phoebe's selfishness and willingness to use shortcuts in life made her easily susceptible to evil. And Paige's self-righteousness and sadistic nature made her susceptible. Everyone – whether in real life or in fiction have personality traits that makes them susceptible to evil. Why Constance Burge could not accept this and instead, used this Nexus Theory to describe Phoebe's flaws eludes me. Perhaps Burge wanted an easier plot device to describe Phoebe's personality . . . instead of good old-fashioned, well-written characterization. 

I cannot deny that I have always enjoyed "Is There a Woogeyman in the House?". It has always been one of my favorite episodes from Season One. But this theory about the Nexus and Phoebe's moral compass nearly ruined it for me. It is a crap theory, supported by bad writing. Instead of recognizing that just about anyone - namely any sentient being can choose a path of good or evil, given the right circumstances or emotional button pushed. But Constance Burge and this episode’s writers decided to resort to easy and sloppy characterization by feeding the viewers this black-and-morality crap that the Nexus would explain Phoebe's occasional delinquent behavior. It seemed like a bad ending to a pretty good episode.

"CHARMED" RETROSPECT: (1.16) "Which Prue Is It Anyway?"

"CHARMED" RETROSPECT: (1.16) “Which Prue Is It Anyway?”

Most fans of ”CHARMED” seemed to harbor the opinion that the series’ early seasons are much better than episodes that aired during the series’ last four years. After viewing Season One’s ”Which Prue Is It Anyway?”, I can easily see how they managed to form that opinion. Mind you, I believe that this particular episode was not exactly the best of Season One. But it certainly seemed like a masterpiece in compare to most of the episodes from Seasons Four to Eight. 

Penned by Javier Grillo-Marxuach, the episode began with Phoebe experiencing a premonition of Prue being stabbed to death by a man with a large sword. The Halliwell sisters discovered that their new enemy is a mortal named Gabriel Statler, a Lord of War. The sword renders Gabriel invulnerable to all mortal weapons and steals power. Gabriel is after Prue because one of the family’s ancestors, a Warren witch named Brianna had bested him during the Crimean War back in the 1850s. To become fully empowered again, he needs the power of a first-born witch. Prue is specifically targeted, because he also wants revenge against the Warren family. To protect herself, Prue used a spell to multiply her strength by three. Instead, the spell created two clones of Prue. Hence . . . the title.

As much as I enjoyed ”Which Prue Is It Anyway?”, I had problems with it. One, I found the humor behind Prue and Piper’s discovery of Phoebe’s martial arts lessons tacky and slightly racist toward those of Asian descent. The episode also featured a bad moment for Phoebe to showcase her new martial arts skills – which only featured kicking. During the sisters’ final encounter with Gabriel, Piper froze him so that Prue could kill him with his sword. Unfortunately, Phoebe chose that moment to kick Gabriel, causing Piper’s freeze upon Gabriel to end. Bad timing . . . eh? I am certain that Grillo-Marxuach had deliberately written the scene to unfold as it did. I just found it rather contrived.

Another problem I had turned out to be Gabriel’s motive for hunting Prue. As I had stated earlier, Gabriel wanted revenge against the Warren family line because one of the sisters’ ancestors – a great-great-something aunt named Briana – had managed to get the best of Gabriel during the Crimean War. The Warren family had been in America since the 17th century. What was Briana Warren doing on the peninsula of Crimea (which was under the Russian Empire in 1854-56) in the mid 19th century, in the first place? Also, Gabriel went after Prue, because the latter was the oldest sister . . . and the most powerful. Frankly, I found Gabriel’s reasoning rather limited. He could have acquired a lot more power if he had hunted all three sisters . . . one at a time.

But my main problem with ”Which Prue Is It Anyway?” centered around the main villain, Gabriel Statler. Mind you, Alex McArthur portrayed the character with great relish. The problem with Gabriel rested upon his characterization as a Lord of War and his motivation for going after Prue. According to the episode, Gabriel and his sister, Helena, are members of the Lords of War, a clan of supernatural warriors dedicated to war. The Lords of War are also mortals that have started most of Earth’s wars throughout history. Why? Who knows? But this description of the Lords of War illustrated a major irritation for me – humans’ tendency to use fantasy or science-fiction as an excuse to distance ourselves from our flaws or fuck-ups. In the case of ”Which Prue Is It Anyway?”, humanity’s responsibility for its penchant for aggression is blamed on supernatural beings. Even worse, Grillo-Marxuach had never explained why the Lords of War even bothered to start wars. Perhaps the audience was simply expected to believe that Gabriel and his kind want to start chaos because they are evil. If we were . . . I cannot buy it.

Despite its flaws, ”Which Prue Is It Anyway?” turned out to be a pretty damn good story. One of the consequences that resulted from Gabriel’s witch hunt resulted in the creation of the two Prue clones. This situation provided comedic gold for the episode. As stated earlier, Prue had cast a spell to triple her power and ended up inadvertently creating two clones of herself – a perky Prue (Pink Sweater) who possessed an overbearing manner masked by a cheerful demeanor; and a sensuous Prue (Blue Sweater) with an intense penchant for male attention. Both Prue clones provided some hilarious moments – especially with Pink Prue. But the two clones also provided moments of poignancy when the real Prue was forced to feel the pain that each clone experienced while being stabbed by Gabriel’s sword. The expression in Andy Trudeau’s eyes spoke a thousand words when the good police inspector discovered Pink Prue’s body in the city morgue.

I certainly found no fault in the performances featured in this episode. Holly Marie Combs and Alyssa Milano gave solid and humorous support as their characters (Piper and Phoebe Halliwell) dealt with Prue’s alter egos. T.W. King (a great favorite of mine) did an excellent job of conveying Andy’s grief over the death of Pink Prue and his suspicions that something was amiss with the Halliwells later in the episode. It was nice to see Bernie Kopell (”GET SMART” and ”THE LOVE BOAT”) as the city morgue’s sarcastic coroner. Both Alex McArthur and Shannon Sturges gave first-class performances as the evil Statler siblings – Gabriel and Helena. I also have to give them kudos for hinting an incestuous relationship between brother and sister without being too obvious. Apparently, they had failed to be a little more subtle for even Blue Prue managed to pick up on their incestuous vibe:

”And Gabriel has this weird binding passion for Helena. So, if we grab her we can use her as leverage. A sword for his sister.”

I also have to compliment McArthur for his exuberant portrayal of Gabriel. I may have found the character’s background as a Lord of War rather purile, but I cannot help but admire the energy that McArthur infused into the role.

One could not discuss ”Which Prue Is It Anyway?” without mentioning the woman of the hour – Shannen Doherty. Watching her in action reminded me of how much ”CHARMED” had benefitted from the actress’ presence during the series’ first three seasons. I would not call Doherty’s performance in this episode as her masterpiece, but I would certainly view it as one of her better performances during her three-year stay on ”CHARMED”. In ”Which Prue Is It Anyway?”, Doherty managed to portray three facets of Prue Halliwell. Not only did she portray Prue in all her complicated glory, she also had the opportunity to portray extreme aspects of Prue’s personality. In Doherty’s portrayal of Pink Prue, she revealed the domineering and perfectionist traits of the oldest Charmed One that must have been the bane Piper and Phoebe’s lives . . . and irritated Original Prue to no end. Doherty also got the chance to reveal Pink Prue’s traits with a humorous perkiness rarely shown in Original Prue. With Blue Prue, Doherty allowed her character’s sensuality to be unleashed with comic results at Quake – the restaurant where Piper worked during Season One. Considering how Doherty managed to nab these different nuances of Prue, it was not surprising to learn that she had earned two Saturn Awards for her portrayal of the character.

I am almost inclined to rate ”Which Prue Is It Anyway?” as one of Season One’s best episodes. But due to the episode’s limited approach to Gabriel Statler’s villainous goals and the unsatisfying and one-dimensional description of his background as a Lord of War, I cannot give it that much credit. However, writer Javier Grillo-Marxuach did pen a well-paced episode filled with humor and pathos. The first-rate cast did his script justice with a solid cast that included an exuberant performance by guest star Alex McArthur and exceptional work by star Shannen Doherty.

"CHARMED" RETROSPECT: (2.14) "Pardon My Past"

"CHARMED" RETROSPECT: (2.14) "Pardon My Past"

(2.14) "Pardon My Past" is an episode from Season Two of the TV series, "CHARMED" (1998-2006). In it, one of the Charmed Ones – Phoebe Halliwell - is haunted by a spirit from her past life. The past life turned out to be one P. Russell, a first cousin of the Halliwell sisters' great-grandmother. 

To find out why she is being haunted by P. Russell’s spirit, Phoebe visited 1924 and discovered that P. Russell was a pyrokinetic witch who had been romanced by a warlock named Anton. While in the past, Phoebe also acquired a glimpse into the past lives of her older sisters – Prue and Piper. She discovers that they were former relatives of P. Russell that were out to destroy her and all the latter's future lives before any of them can become completely evil. Prue and Piper must then stop their past lives' curse in the present before Phoebe falls victim to it and dies. 

Did this episode sound confusing? I thought it did. "Pardon My Past" was the second episode, following Season One's(1.17) "That 70s Episode" that revealed a bit of the Charmed Ones' family past history. And like many of these type of episodes . . . it had a lot of flaws. Let us take a look at them, shall we?

Flaws in "Pardon My Past"

*Ownership of the Manor – In this episode, it was revealed that the parents of the sisters’ grandmother – Penelope Johnson Halliwell – were living in the manor in 1924. Yet, according to the Season One episode, (1.15) "Is There a Woogy in the House?", the Halliwells (which happened to be Penny Halliwell's in-laws) had purchased the manor following the San Francisco Earthquake in 1906.

*The Ages of Phoebe Halliwell and P. Russell - While perusing the Warren family tree, Phoebe had this to say about her past life:

"I think that this one is me. (She points to P. Russell) She died February 17th, 1924. The same age I am also." 

How was this possible? According to the family tree, P. Russell was born on July 1894 and died on February 17, 1924. She was 29 years old when her cousins killed her. The episode "Pardon My Past" occurred between February 16-18, 1924; and February 16-18, 2000. Phoebe was born on November 2, 1975; making her 24 years old at the time of the story, not 29 years old.


*Past Life for Leo Wyatt? - According to Phoebe, she had spotted the past life of the Charmed Ones' whitelighter, Leo Wyatt, in 1924; and was P. Baxter’s (Past Piper) lover. I am curious. How was this possible? The series has claimed that Leo was born in May 1924. But again, this is not possible. According to the Season One episode, (1.21) "Love Hurts", Leo had been a medical student when he joined the Army in 1942:

"No. World War II. I left med school and enlisted as a medic. I wanted to help save people not shoot them. The last thing I remember, I was bandaging a soldier's head wound and I felt a sharp pain and the next thing I know I was floating surrounded by White Lighters."

If Leo had been in medical school at the time when the U.S. entered World War II in December 1941, he should have at least older than 22 years old when he joined the Army. Which means that he should have already been alive at the time of P. Russell’s death in 1924.


*Phoebe’s Theory - How did Phoebe get the idea that she was going to die within a day, because of her encounter with her past spirit? From the moment she had encountered P. Russell’s spirit on the very anniversary that the latter was killed, Phoebe made this assumption:

"So, it doesn’t mean that I’m going to die today too, right?"

Even before she found out about the curse placed on P. Russell’s future selves, Phoebe came to the conclusion that she was doomed to die:

"Phoebe: Not much time. By midnight, I’ll be dead again.
Piper: By midnight? How do you know that?
Phoebe: Midnight, a full moon, what’s the difference? It’s always one or the other, right? I know I won’t make it to February 18th unless…
Leo: You go back to the past again and find some answers."

How on earth did she come to this conclusion without knowing the facts? Or was this another example of the Halliwells producing theories out from their respective asses?


*Phoebe’s Ability - Phoebe had asked Leo why she did not have a power like P. Russell’s – pyrokinesis. This is what Leo had told her:

"Well, if you screw up your regrets. Your past self must have abused the power. That's why it was taken away from you."

What the hell? How did Leo come to this conclusion? Although Past Piper (P. Baxter)’s ability, slow down others, was a variation of Piper’s ability; Past Prue (P. Bowen)’s ability turned out to be cyrokinesis (freezing ability), which had nothing to do with Prue’s abilities of telekinesis or astral projection. Nor did P. Russell’s ability (pyrokinesis) have anything to do with Phoebe’s ability of precognition. And why is Phoebe’s precognition ability considered a REGRESSION of P. Russell’s fire ability? Phoebe is a seer. She has the ability to summon information on the past, the present and the future through visions. Information is power. Both of her parents have told Phoebe that many magic practitioners would kill to be a seer. Apparently, Phoebe never believed them. Even the Source did not want Phoebe’s precognition ability . . . despite the fact that he had depended upon two seers. Which only told me that even intelligent individuals like Phoebe and the Source can be incredibly stupid.


*The Warlock – Anton - So, Anton(who was P. Russell’s lover) was supposed to be a warlock? How is that possible? It is quite apparent that Anton had never aged during the 76 years between 1924 and 2000. It was established in the series' first episode, (1.01) "Something Wicca Comes This Way" that warlocks were merely witches who had gone bad:

"A bad witch or a warlock . . ."

Despite what Leo has claimed, witches ARE mortals. If Piper could die from a bullet wound in an alternate timeline, then witches are mortals. And if witches are mortals, then warlocks should also be mortals. Which means that either Anton should have aged, used magic to prevent aging, or he was something other than a warlock. Also . . . the sisters and Leo have declared many times that evil cannot love. Yet, Anton was in love with P. Russell and had remained in love with her for a long time.


*Phoebe’s Warning in the Book of Shadows - Apparently, all of Phoebe's future lives are doomed to die in their early 20's unless they can somehow stop P. Bowen and P. Baxter’s curse from affecting them. They end up saving present Phoebe by putting the necklace on her, but the rest of her future lives are still doomed to die in their early 20's. Thus, Phoebe wrote a warning in the Book of Shadows to warn her future selves about this. What if Phoebe’s future selves do not end up as a member of the Warren family line? Had anyone stopped to think of this?


*Gordon Johnson’s Piano Talent . . . or Lack Of - Greg Vaughn, who portrayed the Charmed Ones’ great-grandfather, Gordon Johnson, was shown playing the piano in 1924. Unfortunately, it appeared that Vaughn lacked the talent to fake playing the piano. One can easily see that his fingers do not even reach the keys.


*The Confusing Warren Family Tree - This episode marked the only appearance of the Warren family (which began with Charlotte and Melinda Warren) tree. I came across some interesting entries that seem contradictory:

-Grams' age: According to the family tree, Penelope Johnson (the sisters’ grandmother) was born in 1937. She gave birth to her only daughter, Patricia Halliwell, in 1950. Are we really expected to believe that Grams gave birth to Patty at the age of 13? I rather doubt it. The family tree also stated that Grams had died on March 3, 1968. Gee, the creator of the family got the date of Grams' death wrong by 30 years and six months.

-Piper’s birth year: According to the family tree, Piper was born in August 1973. Yet, in one Season One episode, Piper had identified herself as a Gemini. Also, in another Season One episode, (1.03) "Thank You For Not Morphing",the Charmed Ones' father Victor Halliwell (later renamed Victor Bennett) made it apparent that she was three years older than Phoebe, who was born in 1975. The Season Three episode (3.09) "Coyote Piper" supported Victor’s words with its revelation that Piper had graduated from Baker High in 1990, making her birth date of 1972 very plausible. And I doubt that young Piper was less than two years old in "That 70s Episode".

-The name of the Charmed Ones’ grandfather: According to the family tree, the name of the sisters’ maternal grandfather happened to be Jack Halliwell. Yet in the Season Six episode, (6.11) "Witchstock", he was renamed Allen. All I can say is . . . what happened to Jack?


I wish I could say that "Pardon My Past"’s glimpse into the Warren family line was interesting. But it was filled with so many inconsistencies that I cannot help but harbor a little contempt for screenwriter Michael Gleason, who had penned this episode; and for Constance Burge who produced it in the first place.

The Fashion Sense of Good Girls Who Go Bad

"THE FASHION SENSE OF GOOD GIRLS WHO GO BAD"

Recently, I came across an interesting analysis of the Jossverse character, Cordelia Chase, portrayed by Charisma Carpenter. Written by Jenny Crusie, "The Assassination of Cordelia Chase" gave an in-depth look into the changes endured by and inflicted upon the character from both "BUFFY THE VAMPIRE SLAYER" and "ANGEL". One of things I found interesting about Ms. Crusie's essay was a comment she had made about Cordelia's character in Season Four of "ANGEL": 

"From there, things only got worse. Cordy came back dressed like Elvira Queen of the Night and slept with Connor, Angel's sulky son. (A good topic for another essay: Why do the Good Girls Gone Bad of the Whedon Universe--the Bad Willow, Buffy from Cleveland, Cordelia the Beastmaster, and Blue Fred--always wear too much eyeliner and dress like dominatrixes? Where's the subtext, the humor, the subtlety?) That Cordy came back with bad fashion sense was a real betrayal; that she came back and cuckolded Angel with a boy she'd considered her son was just gross."

Ms. Crusie pointed out an interesting thing about many of the female characters in the Jossverse. Whenever many of the "good" females turned dark or evil, they seem to adapt a rather bizarre appearance . . . or simply bad fashion taste. And this was not only apparent in two of the Jossverse television series - "BUFFY THE VAMPIRE SLAYER"and "ANGEL", but also in another WB series, "CHARMED" and the third Indiana Jones film - "INDIANA JONES AND THE LAST CRUSADE":


"ANGEL"

First, we have Cordelia Chase's metamorphasis from good/snarky leading lady to evil skank possessed by power-hungry deity and Winifred "Fred" Burkle (Amy Acker) inhales the essence of an old demon named Illyria, dies and has her body used by the latter, turning into a blue Seven-of-Nine without tits:

Cordelia, before her fateful decision in "Tomorrow" (3.22)




Cordelia, Queen of Skank in "Players" (4.16)




Fred . . . perky and pretty in "Just Rewards" (5.02)




A blue/leather Fred/Illyria in "Shells" (5.16)




"BUFFY THE VAMPIRE SLAYER"

In this series, Buffy Summers (Sarah Michelle Geller) goes butch in the dark alternate universe, created by Cordelia's wish for Buffy to never live in Sunnydale . . . and Willow Rosenberg (Alyson Hannigan) becomes the ultimate dominatrix when she turns dark and evil, following the death of her lover, Tara:

Buffy .. . before Cordelia's deadly wish in "The Wish" (3.09)




Buffy Goes Butch in "The Wish" (3.09)




Willow . . . Before Tara's Death in "Entropy" (6.18)




Darth Willow in "Two To Go" (6.21)




"CHARMED"

With the exception of Piper and Phoebe (Holly Marie Combs and Alyssa Milano) in the Season Three episode, "Bride and Gloom", whenever the Halliwell sisters became evil, their fashion sense goes out the window. Of course . . . to be honest, they never really had much fashion sense between Seasons Three and Eight:

Prue before marriage to a warlock in "Bride and Gloom" (3.13)




Goth Queen Prue following her marriage to an evil warlock in "Bride and Gloom" (3.13)




Piper and Phoebe before becoming influenced by Prue's marriage to the warlock in "Bride and Gloom" (3.13)




Piper and Phoebe remain tasteful, while evil in "Bride and Gloom" (3.13)




Phoebe and Paige (Rose McGowan) are evil and tacky from mirror universe in "It's a Bad, Bad, Bad, Bad World - Part I" (6.21)




"INDIANA JONES AND THE LAST CRUSADE" (1989)

Some critic once commented that the costumes for the Dr. Elsa Schneider character (Alison Doody) goes tasteful to tacky, following her revelation as a Nazi collaborator:

Elsa Schneider Meets Indiana Jones and Marcus Brody




Elsa Schneider, Nazi Commando




It is easy to see that Ms. Crusie knew exactly what she was talking about.

Top Five Favorite Episodes of "CHARMED" - Season One (1998-1999)

Below is a list of my top five (5) favorite episodes from Season One (1998-1999) of "CHARMED". Developed for television by Constance Burge, the series starred Shannen Doherty, Holly Marie Combs and Alyssa Milano: 


TOP FIVE FAVORITE EPISODES OF "CHARMED" - Season One (1998-1999)



1. (1.04) "Dead Man Dating" - In one of my favorite episodes of the series, the Charmed Ones help the ghost of a recently murdered young man, who needs their help to settle a score with the gangster that murdered him, before an ancient spirit can harvest his soul. 





2. (1.12) "The Wendigo" - While changing a flat tire, Piper is attacked by a werewolf-like beast called the Wendigo and the sisters are forced to hunt it down before she becomes a full-fledged one herself.





3. (1.10) "Wicca Envy" - The warlock Rex Buckland uses astral projection to trick Prue into stealing a tiara from the Buckland auction house, in order to blackmail the sisters into giving up their powers. Sadly, this episode marked the last for warlocks Rex Buckland and Hannah Webster. 





4. (1.15) "Is There a Woogy in the House?" - Despite the slightly disappointing ending, I really enjoyed this entertaining episode about Phoebe being possessed by a demon called "the woogeyman", trapped beneath the manor's basement.





5. (1.17) "That 70s Episode" - In this poignant episode, the Halliwell sisters go back in time to 1975 in order to prevent their mother from making a pact with a powerful warlock - a pact that involved their mother's protection in exchange for their powers.

"Post Season Three Leadership of the Charmed Ones"

"POST SEASON THREE LEADERSHIP OF THE CHARMED ONES"

I am probably going to get bashed for this, but I never thought it was a good thing for the writers to automatically allow Piper Halliwell to become the new leader of the Charmed Ones in Season Four of "CHARMED", due to her new position as the oldest sister.  In fact, I believe it was a big mistake.

I am sorry, but I do not think that former middle sister Piper ever had the personality to be a real leader. And I found her "growth" as a character and a leader from Season Four to Season Eight rather hard to believe. Even by the last two seasons. Her idea of leadership was to be curt and bitchy a lot. And to be honest, the Halliwells made some really bad decisions during her tenure as "leader" - half-demon Cole Turner's death in (4.20) "Long Live the Queen", Piper's decision to allow husband/whitelighter Leo Wyatt to change her personality in (5.23) "Oh Goddess! (Part 2)", Phoebe and half-sister Paige Matthews' theft of police detective Darryl Morris' soul in (6.01) "Valhalley of the Dolls (Part 1)", Paige convincing her Season Six boyfriend Richard Montana into stripping his powers, Phoebe and Paige's murder of Rick Gettridge in (6.17) "Hyde School Reunion", and the deal with the Avatars in (7.12) "Extreme Makeover: World Edition".

New middle sister Phoebe probably would have made a slightly better leader if she had not been so self-absorbed and immature at times. And Paige would have made an even better leader, despite her inexperience in S4. Unfortunately for Paige, Kern and his writers were so hellbent upon turning her into a flake between mid-Season 5 and the series finale.

Do not get me wrong. I like Piper. But unlike oldest sister Prue Halliwell, who was killed in Season Three's (3.22) "All Hell Breaks Loose"; she never really knew how to think matters through. I am not saying that Prue always did. There were times when she had jumped to conclusions. But never at the scale in which Piper, Phoebe and Paige did. Especially Piper. And more than anything, I never understood Kern's decision to turn Piper into Uber Bitch or a second-rate Prue, because she was the new leader. It really seemed to go against her personality. I have no problem with Piper becoming a stronger personality. It is another when Kern's decision to make her the new leader because of her age, ended up turning her into a second-rate Prue or an Uber Bitch.