Showing posts with label tyler christopher. Show all posts
Showing posts with label tyler christopher. Show all posts

Monday, May 25, 2015

"INTO THE WEST" (2005) - "Jacob Wheeler and the Awareness of Self"

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"INTO THE WEST" (2005) – "JACOB WHEELER AND THE AWARENESS OF SELF"

Many people would usually consider the topic of Self Awareness when discussing New Age religions or Eastern mysticism. Characters from a TV Western miniseries seems like the last thing anyone would think of when discussing the meaning of Self. Yet, a major character led me to consider this very topic, while re-watching Steven Spielberg’s 2005 miniseries about two families – Lakota and western Virginia - called "INTO THE WEST"

"Self" has been described as the essential self or the core of an individual. A person who has learned to live one’s life with a strong sense of Self is considered as someone who has achieved or come close to a level of self-actualization - namely, achieving personal growth through accepting the true core of oneself. If there is one character in "INTO THE WEST" who seemed to personify self-actualization, it was Thunder Heart Woman (Tonazin Carmelo and later Sheila Tousey), the Lakota woman who had married into the Wheeler family. I am not saying that Thunder Heart Woman was a person with no insecurities, personal demons or anything of the sort. But of all the major characters, she seemed to be more in tune of what and more importantly, who she was. 

In the miniseries’ second episode titled, "Manifest Destiny", Thunder Heart Woman had seemed impervious to her white in-laws’ attitude toward her, during her immediate family’s short stay with her in-laws in Virginia. Even when faced with the disapproval of a German minister and fellow wagon immigrant called Preacher Hobbes (Derek de Lint), she remained impervious to his bigotry. At least according to her husband’s narrative. But this essay is not about Thunder Heart Woman. It is about one of the men in her life – the one love in her life, who managed to catch my attention. Namely one Jacob Wheeler (Matthew Settle and later John Terry).

The third of four brothers from a Virginia wheelwright family, Jacob Wheeler seemed very similar to his Lakota wife – the type of person that seemed to know his own mind. The miniseries’ first episode, ”Wheel to the Stars” revealed that Jacob’s Virginia family seemed to view him as a non-conformist . . . or oddball. He, in turn, regarded his hometown of Wheelerton, Virginia; his family and its profession with mild contempt. In short, this young Virginian was a fish out of water in 1825 America and he knew it. This would explain Jacob’s longing to see the world beyond his hometown and the eastern United States. He did not hesitate to express his enthusiasm for the West. After meeting mountain man James Fletcher (Will Patton), he immediately set out to achieve his desire to leave Wheelerton.

Possessing a talent for persuasion, Jacob managed to convince two of his brothers – Nathan (Alan Tudyk) and Jethro (Skeet Ulrich) – into joining his trek to the West. Jethro turned back at the last minute and Nathan ended up accompanying him. After Jacob and Nathan parted ways in St. Louis, the former caught up with Fletcher and famed mountain man, Jedediah Smith (Josh Brolin) and convinced the latter to allow him to accompany Smith’s expedition to California. I could probably list a number of examples of Jacob’s talent for persuasion, along with his exuberant and non-conformist nature. What I had failed to mention was that he possessed a strong and stubborn will to achieve what he desired. A perfect example of this was his determination to return to California after he, Smith and their fellow mountain men had been kicked out of the province by Mexican authorities. Not only did Jacob manage to achieve this goal, he did so at a great price. And yet . . . one of the interesting aspects of the Jacob Wheeler character is that despite possessing a strong will and extroverted nature, he also had certain vulnerable characteristics and insecurities. Especially insecurities. In both ”Wheel to the Stars” and ”Manifest Destiny”, Jacob’s relationships with his Wheelerton family and Thunder Heart Woman revealed just how insecure he could be.

Jacob seemed to have a rather peculiar relationship with his Virginia family. Despite regarding them with contempt for their provincial attitudes, he had also allowed their attitudes to bring out his own insecurities. His grandfather Abraham (Ken Pogue), his father Enoch (Serge Houde) and his three brothers – Nathan, Ezra (Joshua Kalef) and Jethro – either derided or teased him about his lack of interest in the family’s wheelwright business. And all of them viewed Jacob as a daydreamer with no sense of family duty or any common sense. The Wheelers have never hesitated to express their low opinion of Jacob’s desire to experience life beyond Wheelerton. I cannot help but wonder if the Wheelers’ contempt toward Jacob’s non-conformist ways had bred a sense of insecurity within him. Or if this insecurity was one of the reasons behind his desire to escape Wheelerton for the west.

It is possible that I may have stumbled across one result from Jacob’s less-than-ideal relationship with his Virginia family. I do not know if anyone else had noticed, but it seemed to me that whenever any of the other Wheelers teased, ranted or expressed contempt toward Jacob or his views on the West, he rarely bothered to defend himself. Jacob did not defend himself whenever his brothers mocked him at the dinner table.; when Jethro made the ”tail tucked between your legs”comment, following Jacob’s return to Wheelerton in ”Manifest Destiny”; and when Enoch accused him of luring both Nathan and later, Jacob to the West. Instead of defending himself, Jacob merely remained silent in an effort to ignore the hurtful comments. 

However, there have also been moments when he did defend himself. Jacob made a snarky comment about his grandfather Abraham’s penchant for rambling on about his past as Revolutionary War veteran and the family’s business. And the elderly man reacted in such a vitriolic manner that I found myself wondering if Jacob had ended up with a new hole in his backside. When Nathan raged against him for helping an escaped slave named Ben Franklin (Sean Blakemore) in Tennessee, Jacob insisted they had done the right thing considering that Ben had earlier released Nathan after holding him hostage with a knife. And when Nathan lost his temper over Jacob’s refusal to follow him to Texas, the younger brother merely insisted upon continuing his intention to join Jedidiah Smith’s expedition.

One could only wonder why Jacob had rarely bothered to defend himself against his family’s scorn. Did he share Thunder Heart Woman’s talent for imperviously ignoring the scorn and prejudices of others? I rather doubt it. Whereas Thunder Heart Woman had seemed unconcerned by others, Jacob’s face tends to express his pain or embarrassment caused by his family’s attitudes. I suspect that deep down, Jacob longed for not only his family’s respect, but their acceptance of his true self. But unlike many people, he was not willing to change his nature for the Wheelers or anyone else’s acceptance.

Why did Jacob decide to return to Wheelerton with his pregnant wife and daughter after eleven years in the West? In his narration, Jacob claimed that he wanted Thunder Heart Woman and his daughter Margaret Light Shines (Elizabeth Sage, later Irene Bedard) to meet his Virginia family. Perhaps he was telling the truth. Yet, a part of me found that hard to believe. The moment Jacob began to enjoy his Lakota in-laws’ hospitality, he felt certain that his own family extend the same kind of warmth to his wife. And yet . . . he had insisted upon returning to Virginia. Why? Had Jethro hinted the truth in his ”tail tuckered between his legs” comment – that Jacob encountered nothing but failure in the West and returned back to Virginia for a livelihood? Or was it something deeper? Perhaps a last chance for Jacob to seek final acceptance from his family? Who knows.

Whatever Jacob had sought in 1836 Virginia, he did not find it. His father Enoch revealed that the family’s wheelwright business had suffered a setback, due to the economic depression that struck the United States in the mid and late 1830s. And the Wheelers seemed no more closer in accepting Jacob for himself or his Western family. His cousin, Naomi Wheeler (Keri Russell) viewed Indians as non-human. His brother Ezra regarded Thunder Heart Woman as a mere ”squaw”. Naomi’s sister, Rachel (Jessica Capshaw), viewed young Margaret’s hand as a piece of dung. And Enoch seemed to act as if his new daughter-in-law and grandchildren did not exist. No wonder Jacob ended up complaining about the Wheelers’ treatment of his Lakota family.

Eventually, Jacob decided to take his wife and children and return to the West permanently – preferably Californa. It seemed the Wheelers’ continuing disregard toward them – along with news of his idol Jedediah Smith’s death – led to this decision. He almost seemed cold and distant toward his parents and Ezra. But he did not count on Jethro and his three female cousins’ decision to accompany him to California. Apparently, not all of the Wheelers viewed him as an oddball for his preference for the West. Jacob seemed heartened by Jethro’s decision to join him. And although Naomi, Rachel and Leah’s (Emily Holmes) decision to join the trek West took him by surprise, Jacob readily accepted their company. In the following narration, he came to this conclusion:

”I hope that I would prove equal to the responsibility I had undertaken.”

I found this comment rather odd. Jethro and the three cousins had been determined to follow Jacob and Thunder Heart Woman on the trek to California, regardless of anything he would have done or said. Even Jethro had later pointed this out.

The next three years (1837-1840) must have been the best Jacob had ever experienced with any of the Virginia Wheelers. The three cousins – Naomi, Rachel and Leah – finally began to view Thunder Heart Woman as a member of the family and cherished her and Jacob’s three children (Abraham had been born in Wheelerton in 1836 and Jacob Jr. was born in Missouri sometime in late 1840). Jacob’s close relationship with Jethro seemed like a far cry from the conflicts with Nathan that marred his trip to the west back in the 1820s. One would begin to think that Jacob no longer suffered from any insecurity by this point. And yet . . . they only remained buried inside him, waiting for the right moment to manifest.

In the end, it took the wagon train journey to California (dubbed ”the Wagon Train of Doom” by me) featured in ”Manifest Destiny” for Jacob’s insecurities to get the best of him. Upon their arrival in Independence, Missouri in the fall of 1840, the Wheeler family remained there during the winter before joining a California-bound wagon train led by one Stephen Hoxie (Beau Bridges) in the spring of 1841. Surprisingly, only Thunder Heart Woman seemed reluctant to leave Missouri. I suspect she had enough of being constantly on the move for the past several years. But the rest of the Wheelers, especially Jacob, seemed determined to head for California.

Once the Hoxie wagon company began their westward trek, everything seemed to be faring well. The weather seemed beautiful. Everyone seemed to be in good spirits – including the black family from Illinois named Jones that managed to join the wagon train without any opposition. Both Naomi and Rachel attracted the romantic attention of the train’s two scouts – ‘Skate’ Guthrie and James ‘Jim’ Ebbets (Ryan Robbins and Christopher Heyerdahl). This contentment finally ended when Thunder Heart Woman spotted wolves feeding off the corpse of a buffalo and when the train later crossed what I believe was the Big Blue River. The incident proved to be the first of two disagreements between the couple. Thunder Heart Woman viewed the wolves as a sign that the wagon train would come to a bad end. She insisted that the Wheeler family return to Missouri. Jacob dismissed her worries as superstition on her part. But the expression on his face clearly indicated his doubts on the wisdom of the trip.

Then the first disaster struck. One of the emigrants, a German-born minister named Preacher Hobbes (Derek de Lint), lost control of his wagon during the crossing. Distracted by the Hobbes family’s situation, Jethro nearly lost control of his wagon. Leah fell out of the wagon and drowned in the river’s fast flowing water. Although Hobbes received an angry response for his carelessness from Captain Hoxie, the Wheeler women’s anger seemed to be directed at Jacob for leading them to this western trek. The expression of guilt seemed very palpable on Jacob’s face, as Naomi demanded that he take the family back to Missouri. Leah’s death proved to be just the beginning.

The further west the wagon train traveled, more disasters followed. The emigrants were forced to deal with a severe thunderstorm and a cattle stampede that left the only son of a black emigrant named Absalom Jones (Neville Edwards) dead. Not long after the storm and the stampede, both Naomi and Rachel married two of the wagon train’s scouts, Skate and Jim. But that brief period of happiness failed to last when the wagon train attempted to travel through a pass. While traversing a pass, a wagon broke free, knocked Rachel down and ran over her leg, causing a severe compound fracture. The leg eventually became infected. Hobbes, the closest thing to a doctor available, tried to amputate Rachel’s leg; but his efforts turned out to be clumsy and Rachel died before he could finish. Although no family member angrily demanded that return to Missouri, the expression on Jacob’s face obviously conveyed his feelings of guilt. 

The final blow to Jacob’s disastrous return to the west occurred when Mrs. Jones died from cholera. Since the Wheelers’ wagons had been traveling with the Jones’ wagon at the back of the train, they had been exposed to the disease. Hoxie and the scouts forced the Wheelers and the remaining members of the Jones family (Mr. Jones and Sally Jones) to remain behind under quarantine while the main body of the wagon train carries on. Only Naomi was able to continue with the train, since she had been with her new husband. Jethro became afflicted with symptoms of cholera but recovered. Both Jacob and Thunder Heart Woman drifted into a serious quarrel, when he suggested that she take their children and attempt to find her Lakota family. Needless to say, Thunder Heart Woman took the suggestion badly and reminded Jacob that he should have listened to her warnings about the journey. 

No new outbreaks occurred after Jacob ordered that all drinking water be boiled. The Wheelers and the Jones rushed to catch up with the wagon train, but discovered that it had been attacked by Cheyenne warriors. All of the emigrants had been wiped out, aside from Naomi, who first became a captive and later, a wife of a Cheyenne chief Prairie Fire (Jay Tavare). The Wheelers and the Jones families were also attacked by Cheyenne warriors. They managed to repulse the attack, but Jacob ended up seriously wounded by an arrow in his chest. The surviving emigrants tried to move on with a wounded Jacob, but the juts and bumps of the trail made it impossible for him to endure the pain. Instead, he insisted that Thunder Heart Woman, Jethro, Mr. Jones and the children continue west to California without him, since he would only prevent them from crossing the Sierra Nevada Mountains before winter. They left him behind with great reluctance.

The period that Jacob spent east of the Sierra Nevada Mountains allowed him to wallow in loneliness and grief over the separation from his family. But he remained determined to find them. And it took him another four to five years before he finally did. Becoming a member of John Charles Frémont’s California Volunteer Militia during the Mexican-American War allowed Jacob to scour the region for signs or news of his remaining family. Five years passed before he finally came upon the ranch that Jethro and Thunder Heart Woman had settled. Jacob also discovered that in the intervening years, his brother and wife had considered him dead, began a relationship and had a child – a little girl named Cornflower. Devastated by this turn of events, Jacob decided not to reveal himself to his family. At least not openly. Instead, he left the wooden medicine wheel necklace that Thunder Heart Woman had given him when they first met to his youngest child, Jacob High Cloud. Another five years passed before Jacob finally reconciled with his family, due to the efforts of his daughter, Margaret Light Shines.

Ever since I first saw ”INTO THE WEST” and especially the above mentioned scene from ”Manifest Destiny”, I have found myself wondering about Jacob’s actions. I understood why he decided not to intrude upon the family that Jethro and Thunder Heart Woman had formed upon their arrival in California. But why did he leave the medicine wheel necklace to young Jacob? Surely, he knew that his family would be aware that he was alive . . . and knew about their situation? Looking back on his action, it struck me as a very passive-aggressive on his part. He lacked the courage to face Jethro and Thunder Heart Woman. And yet, he seemed determined to thwart the happiness they had created . . . as if he was punishing them for continuing their lives without him. Or perhaps Jacob felt a great deal of envy toward Jethro because the latter turned out to be the one who successfully led the family to California, and not him. 

Perhaps Jacob had always a passively-aggressive personality from the beginning. His relationship with his Virginia family struck me as being marked by a great deal of passive-aggressive behavior from the start. Jacob seemed determined to be his own man, whether in his enthusiasm for the West, his decision to leave Wheeler or join Jedediah Smith’s expedition over following his brother Nathan to Texas. And yet . . . he never defended himself in the face of their criticism. Instead, he resorted to resentful silence. Why did he constantly fail to defend himself? Was he merely trying to keep the peace? Or did some small part of him fear that his family may have been right about him? It seemed strange than many fans and critics of "INTO THE WEST" seemed to adore Jacob for his seemingly self-assurance and outgoing personality. At the same time, they derided Jethro for being an insecure loser in their eyes. I got the feeling that they were so busy either scorning Jethro or adulating Jacob that they failed to detect the latter’s personal insecurities and darker traits. And Jacob certainly had them by the bucketful. 

Did Jacob ever overcome his insecurities? Perhaps. Perhaps not. I wonder if many are aware of this, but it usually takes an individual to overcome his or her faults during an entire lifetime. A good number of people never succeed in overcoming all of their faults. And since "INTO THE WEST" focused more on his and Thunder Heart Woman’s children in the last three episodes, audiences never discovered if he had overcome all of his faults and insecurities. Jacob certainly seemed more at peace in his old age than he did during his first forty years. Perhaps those years of solitude near the Sierra Mountains foothills helped him finally achieve some inner peace.

Thursday, June 12, 2014

"CHARMED" RETROSPECT: (2.14) "Pardon My Past"




"CHARMED" RETROSPECT: (2.14) "Pardon My Past"

(2.14) "Pardon My Past" is an episode from Season Two of the TV series, "CHARMED" (1998-2006). In it, one of the Charmed Ones – Phoebe Halliwell - is haunted by a spirit from her past life. The past life turned out to be one P. Russell, a first cousin of the Halliwell sisters' great-grandmother. 

To find out why she is being haunted by P. Russell’s spirit, Phoebe visited 1924 and discovered that P. Russell was a pyrokinetic witch who had been romanced by a warlock named Anton. While in the past, Phoebe also acquired a glimpse into the past lives of her older sisters – Prue and Piper. She discovers that they were former relatives of P. Russell that were out to destroy her and all the latter's future lives before any of them can become completely evil. Prue and Piper must then stop their past lives' curse in the present before Phoebe falls victim to it and dies. 

Did this episode sound confusing? I thought it did. "Pardon My Past" was the second episode, following Season One's(1.17) "That 70s Episode" that revealed a bit of the Charmed Ones' family past history. And like many of these type of episodes . . . it had a lot of flaws. Let us take a look at them, shall we?

Flaws in "Pardon My Past"

*Ownership of the Manor – In this episode, it was revealed that the parents of the sisters’ grandmother – Penelope Johnson Halliwell – were living in the manor in 1924. Yet, according to the Season One episode, (1.15) "Is There a Woogy in the House?", the Halliwells (which happened to be Penny Halliwell's in-laws) had purchased the manor following the San Francisco Earthquake in 1906.

*The Ages of Phoebe Halliwell and P. Russell - While perusing the Warren family tree, Phoebe had this to say about her past life:

"I think that this one is me. (She points to P. Russell) She died February 17th, 1924. The same age I am also." 

How was this possible? According to the family tree, P. Russell was born on July 1894 and died on February 17, 1924. She was 29 years old when her cousins killed her. The episode "Pardon My Past" occurred between February 16-18, 1924; and February 16-18, 2000. Phoebe was born on November 2, 1975; making her 24 years old at the time of the story, not 29 years old.


*Past Life for Leo Wyatt? - According to Phoebe, she had spotted the past life of the Charmed Ones' whitelighter, Leo Wyatt, in 1924; and was P. Baxter’s (Past Piper) lover. I am curious. How was this possible? The series has claimed that Leo was born in May 1924. But again, this is not possible. According to the Season One episode, (1.21) "Love Hurts", Leo had been a medical student when he joined the Army in 1942:

"No. World War II. I left med school and enlisted as a medic. I wanted to help save people not shoot them. The last thing I remember, I was bandaging a soldier's head wound and I felt a sharp pain and the next thing I know I was floating surrounded by White Lighters."

If Leo had been in medical school at the time when the U.S. entered World War II in December 1941, he should have at least older than 22 years old when he joined the Army. Which means that he should have already been alive at the time of P. Russell’s death in 1924.


*Phoebe’s Theory - How did Phoebe get the idea that she was going to die within a day, because of her encounter with her past spirit? From the moment she had encountered P. Russell’s spirit on the very anniversary that the latter was killed, Phoebe made this assumption:

"So, it doesn’t mean that I’m going to die today too, right?"

Even before she found out about the curse placed on P. Russell’s future selves, Phoebe came to the conclusion that she was doomed to die:

"Phoebe: Not much time. By midnight, I’ll be dead again.
Piper: By midnight? How do you know that?
Phoebe: Midnight, a full moon, what’s the difference? It’s always one or the other, right? I know I won’t make it to February 18th unless…
Leo: You go back to the past again and find some answers."


How on earth did she come to this conclusion without knowing the facts? Or was this another example of the Halliwells producing theories out from their respective asses?


*Phoebe’s Ability - Phoebe had asked Leo why she did not have a power like P. Russell’s – pyrokinesis. This is what Leo had told her:

"Well, if you screw up your regrets. Your past self must have abused the power. That's why it was taken away from you."

What the hell? How did Leo come to this conclusion? Although Past Piper (P. Baxter)’s ability, slow down others, was a variation of Piper’s ability; Past Prue (P. Bowen)’s ability turned out to be cyrokinesis (freezing ability), which had nothing to do with Prue’s abilities of telekinesis or astral projection. Nor did P. Russell’s ability (pyrokinesis) have anything to do with Phoebe’s ability of precognition. And why is Phoebe’s precognition ability considered a REGRESSION of P. Russell’s fire ability? Phoebe is a seer. She has the ability to summon information on the past, the present and the future through visions. Information is power. Both of her parents have told Phoebe that many magic practitioners would kill to be a seer. Apparently, Phoebe never believed them. Even the Source did not want Phoebe’s precognition ability . . . despite the fact that he had depended upon two seers. Which only told me that even intelligent individuals like Phoebe and the Source can be incredibly stupid.


*The Warlock – Anton - So, Anton(who was P. Russell’s lover) was supposed to be a warlock? How is that possible? It is quite apparent that Anton had never aged during the 76 years between 1924 and 2000. It was established in the series' first episode, (1.01) "Something Wicca Comes This Way" that warlocks were merely witches who had gone bad:

"A bad witch or a warlock . . ."

Despite what Leo has claimed, witches ARE mortals. If Piper could die from a bullet wound in an alternate timeline, then witches are mortals. And if witches are mortals, then warlocks should also be mortals. Which means that either Anton should have aged, used magic to prevent aging, or he was something other than a warlock. Also . . . the sisters and Leo have declared many times that evil cannot love. Yet, Anton was in love with P. Russell and had remained in love with her for a long time.


*Phoebe’s Warning in the Book of Shadows - Apparently, all of Phoebe's future lives are doomed to die in their early 20's unless they can somehow stop P. Bowen and P. Baxter’s curse from affecting them. They end up saving present Phoebe by putting the necklace on her, but the rest of her future lives are still doomed to die in their early 20's. Thus, Phoebe wrote a warning in the Book of Shadows to warn her future selves about this. What if Phoebe’s future selves do not end up as a member of the Warren family line? Had anyone stopped to think of this?


*Gordon Johnson’s Piano Talent . . . or Lack Of - Greg Vaughn, who portrayed the Charmed Ones’ great-grandfather, Gordon Johnson, was shown playing the piano in 1924. Unfortunately, it appeared that Vaughn lacked the talent to fake playing the piano. One can easily see that his fingers do not even reach the keys.


*The Confusing Warren Family Tree - This episode marked the only appearance of the Warren family (which began with Charlotte and Melinda Warren) tree. I came across some interesting entries that seem contradictory:

-Grams' age: According to the family tree, Penelope Johnson (the sisters’ grandmother) was born in 1937. She gave birth to her only daughter, Patricia Halliwell, in 1950. Are we really expected to believe that Grams gave birth to Patty at the age of 13? I rather doubt it. The family tree also stated that Grams had died on March 3, 1968. Gee, the creator of the family got the date of Grams' death wrong by 30 years and six months.

-Piper’s birth year: According to the family tree, Piper was born in August 1973. Yet, in one Season One episode, Piper had identified herself as a Gemini. Also, in another Season One episode, (1.03) "Thank You For Not Morphing",the Charmed Ones' father Victor Halliwell (later renamed Victor Bennett) made it apparent that she was three years older than Phoebe, who was born in 1975. The Season Three episode (3.09) "Coyote Piper" supported Victor’s words with its revelation that Piper had graduated from Baker High in 1990, making her birth date of 1972 very plausible. And I doubt that young Piper was less than two years old in "That 70s Episode".

-The name of the Charmed Ones’ grandfather: According to the family tree, the name of the sisters’ maternal grandfather happened to be Jack Halliwell. Yet in the Season Six episode, (6.11) "Witchstock", he was renamed Allen. All I can say is . . . what happened to Jack?


I wish I could say that "Pardon My Past"’s glimpse into the Warren family line was interesting. But it was filled with so many inconsistencies that I cannot help but harbor a little contempt for screenwriter Michael Gleason, who had penned this episode; and for Constance Burge who produced it in the first place.