Friday, July 5, 2013

"SHERLOCK HOLMES" (2009) Photo Gallery



Below is a gallery featuring photos from Guy Ritchie's movie about Sir Arthur Conan Doyle's famous literary detective called"SHERLOCK HOLMES". The movie stars Robert Downey Jr., Jude Law, Rachel McAdams and Mark Strong: 


"SHERLOCK HOLMES" (2009) Photo Gallery


























































Tuesday, July 2, 2013

"BATMAN BEGINS" (2005) Review



"BATMAN BEGINS" (2005) Review

When Christopher Nolan’s reboot of the BATMAN franchise first made its debut during the summer of 2005, many critics and moviegoers hailed it as the second coming. They also viewed it as a vast improvement over the four films released between 1989 and 1997. Since then, ”BATMAN BEGINS” has been overshadowed by its 2008 sequel,”THE DARK KNIGHT”. After a recent viewing of the 2005 movie, I must admit that I have a deeper attachment for it. 

”BATMAN BEGINS” was basically an origin tale about the scion of a wealthy Gotham City family, who endured a personal tragedy before become a costumed vigilante. The movie began in a Chinese person where Bruce Wayne was serving time for robbery. A mysterious man named Henri Ducard offered to arrange for Bruce’s freedom if the latter would consider joining his organization called the League of Shadows. Once Bruce began his training under Ducard’s tutelage, flashbacks revealed his childhood; his friendship with Rachel Dawes, the daughter of a family servant; his parents’ tragic deaths; and the murder of their killer. Once Bruce’s training ended, Ducard and the League’s head - Ra's al Ghul – ordered the Gotham City native to execute a murderer they had captured. They also revealed their intent to destroy Gotham City, due to its growing corruption. Unwilling to become an executioner and appalled by the League’s plans for Gotham, Bruce began a fight that led to the Temple’s destruction. After Bruce saved Ducard’s life, he returned to Gotham City to commence his life as the vigilante, the Batman.

Aside from a few minor problems that I will discuss later, I must admit that after four-and-a-half years, I enjoyed ”BATMAN BEGINS” more than ever. One, I thought that Christopher Nolan and fellow screenwriter David S. Goyer did an exceptional job in revealing Bruce Wayne’s childhood and the circumstances that led him to China in flashbacks. Very exceptional. Also, through Bruce Wayne/the Batman, Henri Ducard and other characters, the screenwriters managed to convey the pitfalls of vigilantism. Considering the movie’s title, I thought Nolan and Goyer also did an excellent job in presenting a examination of the main character.

Speaking of the main character, Christian Bale earned a well deserved Saturn Award for his portrayal of Bruce Wayne/the Batman. I only wish that Bale could have received a Golden Globe or Academy Award nomination, as well. He did a superb job of capturing all of the nuances of Bruce’s personality. Even more impressive was the way he developed the character from an immature and vengeful twenty-something young man to the somewhat more wiser thirty-something man who had learned to restrain himself from allowing his penchant for vigilantism to spiral out of control. Unless Nolan used a stunt man for Bruce/Batman's action scenes, I thought that Bale managed to handle the action - especially the fight scenes - very well. Was this his first time in dealing with heavy action sequences? Someone please let me know.

I must admit that I have been a fan of Liam Neeson for a long time, admiring his array of performances that included a randy Irish ghost, a Jedi Master, the ambiguous Oskar Schindler and a determined ex-CIA agent searching for his kidnapped daughter. I cannot honestly say that his best role was Henri Ducard, Bruce Wayne’s mentor. But I would probably view it as one of his better roles. Most people have compared his Ducard to his performance as Jedi Master Qui-Gon Jinn in ”STAR WARS: The Phantom Menace”. Perhaps. However, I saw major differences in the two roles. Ducard turned out to be a darker character, who despite his words of wisdom, was unable to let go of his past tragedy. Instead, he used it to inflict his desire to punish the guilty and the corrupt through some of the most Draconian means possible. Neeson did a beautiful job in capturing not only Ducard’s wisdom, but also his subtle, yet psychotic personality. In some ways, his Ducard was a lot scarier than the Joker in ”THE DARK KNIGHT”. Only, his villainy was not as colorful. And like Bale, he had earned a Saturn Award nomination. Only he lost to Mickey Rourke (”SIN CITY”). Hmmmm.

On the other hand, Katie Holmes was given a Golden Raspberry Award nomination for Worst Supporting Actress for her portrayal of Bruce’s childhood friend and Gotham’s crusading Assistant District Attorney, Rachel Dawes. And for the likes of me, I do NOTunderstand why. I found nothing wrong with her performance. I thought she did a splendid job portraying Rachel as Bruce and Gotham City’s moral center. I especially enjoyed her scenes with not only Bale, but also her confrontations with Cillian Murphy’s Dr. Jonathan Crane/the Scarecrow. Many have praised Maggie Gyllanhaal’s portrayal of Rachel in”THE DARK KNIGHT’. Personally? I think that Holmes was lucky not to appear in the 2008 film. At least her Rachel Dawes had not written as a mere object of desire and a barely irrelevant character. 

Speaking of Cillian Murphy, I truly enjoyed his performance as Dr. Jonathan Crane, the cold-blooded and manipulative city psychiatrist who became arch villain, the Scarecrow. He did an excellent job in conveying the character’s subtle villainy and sardonic wit. Another villain that possessed the same wit turned out to be Gotham City’s crime boss, Carmine Falcone. Although Tom Wilkinson portrayed the character with a good deal of wit and verve, it seemed a pity that his performance was nearly ruined by a questionable American accent seemed like a bad parody of a old Warner Brothers gangster character. Michael Caine, Morgan Freeman and Gary Oldman portrayed mentors and allies for Bruce Wayne/the Batman – faithful butler Alfred Pennyworth, Wayne Enterprises executive Lucius Fox and police sergeant Jim Gordon, respectively. And they all did solid jobs; especially Caine, whose wisdom and concern for his employer’s personal life allowed him to be Bruce’s true mentor. 

Linus Roache portrayed Thomas Wayne, Bruce’s doomed father. He gave a solid performance, but I found his American accent rather questionable. And I also had other problems with Bruce’s parents. One, they seemed impossibly good – almost pure. And I found that aspect of their portrayal a bore. Two, Thomas and Martha Wayne must have also been incredibly stupid. The Wayne family went to the opera via public transportation. Okay, perhaps I can excuse that on the grounds that perhaps they could not afford a limousine or wanted to save gas. But when Bruce wanted to leave the opera early, they left the theater through the goddamn back door. No wonder that thug, Joe Chill, was able to accost them so easily.

Speaking of problems, I have a few more regarding ”BATMAN BEGINS”. One, I hate the growl that Bale had used, while portraying the Batman. There were times when I found Bale slightly coherent and I also found it unnecessary and annoying. Two, I have a problem with Ra's al Ghul, the so-called leader of the League of Shadows whom Bruce had killed in Tibet (or China). Apparently, the Gotham City native had killed a psychic manifestation of Ducard’s mind. How Ducard managed to create this manifestation and how Bruce managed to kill it were plot points that Nolan and Goyer failed to explain.

When all is said and done, I must admit that I really enjoyed ”BATMAN BEGINS”. Personally, I feel that Christopher Nolan and David S. Goyer had written a better movie than ”THE DARK KNIGHT”, despite its flaws. The movie not only featured excellent direction from Nolan and an interesting score by Hans Zimmer and James Newton Howard, it also had top-notch performances from Christian Bale, Liam Neeson and the rest of the cast . . . even those with questionable American accents. In fact, I would go as far to say that I consider it to be one of my favorite comic book movie ever made.

Saturday, June 29, 2013

"NORTH AND SOUTH" Inaccuracies (Books I and II)



After reading a list of historical inaccuracies in the movie, "TITANIC", I could not help but think about the historical inaccuracies I've found in the first two miniseries of the  "NORTH AND SOUTH" Trilogy - no matter how much I loved it. So, here it is:



“NORTH AND SOUTH" INACCURACIES (Book I and II)



1. George and Orry's journey to West Point - I could be mistaken, but I thought most cadets who traveled to West Point from New York City, did so by a steamer up the Hudson River in the mid-1800s.

2. Orry's sword duel w/Bent - I realize many of you found it exciting, but after asking around, I discovered that it is impossible for someone with Orry's difficulties in studies to be an excellent swordsman. Actually, someone like Bent should have kicked his butt.

3. Ulysses Grant did not graduate from West Point two years ahead of George and Orry (as indicated in ”NORTH AND SOUTH: BOOK II”). He graduated three years before them in 1843.

4. The Mains should not be at Mont Royal during the summers of 1844, 1846 or 1854. Summertime was considered fever season in the South Carolina low country. South Carolinians planters usually vacationed in the upcountry or somewhere else - preferably at Newport Island.

****



5. When Virgilia made the "slave bordellos" reference in her speech during the abolitionist meeting in Philadelphia, she had been very close to the truth, despite Orry's reaction. Due to a Federal law that forbade the import of African slaves in 1808, prosperous slave owners like Tillet Main encouraged their slaves to breed. Female slaves were encouraged to breed by the age fourteen.

6. Fredrick Douglass never referred to God in his speeches. A bitter encounter with the clergy in Maryland erased any religious fevor that he had.

7. Robert Guilliame was too old to be playing Fredrick Douglass in 1848.  During that year, Douglass was only 30 years old. Guilliame was at least 56 or 57 years old when he appeared in ”NORTH AND SOUTH: BOOK I”.

8. The song, "Dixie", was written by a Northerner in 1859 and became popular throughout the South in 1860. When James Huntoon sung it at a rally in New Orleans, he may have sung it a year or two early.

****



9. Orry had been premature in referring to John Brown as insane in December 1859. The abolitionist was never considered insane until the 1890s, when the "Lost Cause" myth became very popular.

10. Contrary to the miniseries, Major Robert Anderson was not in his mid to late 30s – the age of actor James Rebhorn, who portrayed the officer when the miniseries was filmed - around the winter of 1860-61. He was at least 55 years old.

11. Hiram Burdan, commander of the Sharpshooters, was not the stickler as portrayed by Kurtwood Smith in the miniseries. In fact, he was not a very good commander and left the Sharpshooters sometime in early 1864.

12. Lincoln had never made a comment about suggesting his other commanders drink the same brand of whiskey as Grant.

****



13. Although he remained sober throughout most of the war, Grant did go on an alcoholic bender sometime during the Vicksburg siege – May to July 1863.

14. West Point never held a ball for its graduates during the mid-1800s. The graduating class usually went to the Astor House in New York City for a graduation supper.

15. Generals Grant and Sherman had met President Lincoln a few weeks before the war ended, they met on a James River steamboat around City Point, Virginia. They did not meet on the field, with General Sheridan, as indicated in "BOOK II".

16. William Stills had been 34-36 years old during the winter of 1855/56. The actor who portrayed him in ”BOOK I”, the late Ron O'Neal, was at least 47 years old at the time of the miniseries’ production.


If you can find any further discrepancies, please let me know.


Wednesday, June 26, 2013

"GODS AND GENERALS" (2003) Photo Gallery


Below are images from "GODS AND GENERALS", the 2003 prequel to the 1993 movie, "GETTYSBURG".  Based upon  Jeff Shaara's 1996 novel; and written and directed by Ronald Maxwell, the movie starred Stephen Lang, Jeff Daniels and Robert Duvall:


"GODS AND GENERALS" (2003) Photo Gallery






































Saturday, June 22, 2013

"DR. NO" (1962) Review


“DR. NO” (1962) Review
This 1962 movie marked the cinematic debut of EON Production’s James Bond franchise, created by Cubby Broccoli and Harry Saltzman. Sean Connery also made his debut in this film as the MI-6 agent, James Bond. Although many critics and fans consider film as one of the more impressive in the franchise, I honestly cannot say that I share their opinion.
Based on Ian Fleming’s 1958 novel, “DR. NO” begins with the murder of MI-6 agent Strangeways and his secretary by a trio of assassins in Jamaica. Fellow MI-6 agent James Bond is ordered by his superior, “M”, to investigate the agent’s death and eventually stumbles upon a plot by Dr. Julius No, an agent of the criminal organization SPECTRE, to disrupt the U.S. space program for the Chinese Republic.
As I had stated earlier, I have never considered “DR. NO” as one of the more impressive entries of the Bond franchise. In fact, it is one of my least favorite Bond movies of all time. The main problem I had with “DR. NO” was the schizophrenic script written by Richard Maibaum, Johanna Harwood, and Berkely Mather that featured an unbalanced mixture of genres. The story began as a mystery thriller, as Bond tried to figure out who was behind Strangeways’ death. Unfortunately, the movie transformed into a fantasy-style adventure when Bond and one of his CIA contacts, Quarrel made their way to Dr. No’s Crab Key Island in order to disrupt the villain’s plot. Even worse, the movie seemed peppered with stilted dialogue that made me wince.
The worst line came out of the mouth of former beauty pageant winner, Marguerite LeWars, who portrayed a photographer working for SPECTRE. It is so bad that I will not even repeat it. Even Connery was guilty of spewing some wooden dialogue. In fact, his performance seemed as uneven as the movie’s story and production style. In many scenes, he seemed to be the epitome of the smooth British agent. And in other scenes – especially with Jack Lord, who was the first actor to portray CIA agent Felix Leiter – he came off as gauche and wooden. Mr. Lord, on the other hand, gave a consistently polished and performance as the sardonic Agent Leiter. Much has been made of Ursula Andress’ performance as “Bond Girl No.1″ Honey Ryder – especially her famous first appearance when her character emerges upon a beach. Frankly, I have never been able to sense the magic of that moment. Nor did I find Andress’ presence in the movie particularly impressive. Not only was her character irrelevant to the story, she did not really aid Bond’s attempts to defeat Dr. No.
I first became a fan of Joseph Wiseman ever since I noticed his sly and subtle performance as a 1960s gangster in the Michael Mann TV series, “CRIME STORY”. But I was not that impressed by his Dr. Julius No, a character that simply bored me to tears. I might as well say the same about Anthony Dawson’s performance as SPECTRE agent, Professor Dent. Many fans have been waxing lyrical over a scene featuring his death at Bond’s hand. Personally, I found Bond’s actions unprofessional. The MI-6 could have easily drugged the SPECTRE agent, remove any inconvenient cyanide pills and have the authorities “question” him. Instead, Bond killed him in cold blood . . . and lost any chance to get more information from Dent. Moron. “DR. NO” can boast first-class performances by American-born John Kitzmiller as the exuberant Jamaican CIA contact, Quarrel. And Zena Marshall gave a solid, yet subtle performance as Professor Dent’s Eurasian secretary and SPECTRE agent, Miss Taro. It is only too bad that the producers and Terence Young could not find genuine Eurasians for both the Dr. No and Miss Taro roles. But I guess that would not have been possible in 1962.
“DR. NO” featured some beautiful photography of Jamaica from cinematographer Ted Moore. Monty Norman not only provided a first-rate musical score, he also delivered the original “James Bond” theme. However, some of the movie’s flaws – namely the uneven script and direction by Terence Young, along with the wooden dialogue, makes “DR. NO” vastly overrated in my eyes. But what can I expect from a movie that consistently threatens to put me to sleep two-thirds into the story?

Tuesday, June 18, 2013

Top Five Favorite Episodes of "CHARMED" - Season One (1998-1999)



Below is a list of my top five (5) favorite episodes from Season One (1998-1999) of "CHARMED". Developed for television by Constance Burge, the series starred Shannen Doherty, Holly Marie Combs and Alyssa Milano: 


TOP FIVE FAVORITE EPISODES OF "CHARMED" - Season One (1998-1999)



1. (1.04) "Dead Man Dating" - In one of my favorite episodes of the series, the Charmed Ones help the ghost of a recently murdered young man, who needs their help to settle a score with the gangster that murdered him, before an ancient spirit can harvest his soul. 





2. (1.12) "The Wendigo" - While changing a flat tire, Piper is attacked by a werewolf-like beast called the Wendigo and the sisters are forced to hunt it down before she becomes a full-fledged one herself.





3. (1.10) "Wicca Envy" - The warlock Rex Buckland uses astral projection to trick Prue into stealing a tiara from the Buckland auction house, in order to blackmail the sisters into giving up their powers. Sadly, this episode marked the last for warlocks Rex Buckland and Hannah Webster. 





4. (1.15) "Is There a Woogy in the House?" - Despite the slightly disappointing ending, I really enjoyed this entertaining episode about Phoebe being possessed by a demon called "the woogeyman", trapped beneath the manor's basement.





5. (1.17) "That 70s Episode" - In this poignant episode, the Halliwell sisters go back in time to 1975 in order to prevent their mother from making a pact with a powerful warlock - a pact that involved their mother's protection in exchange for their powers.